The Aural Skills and Music Theory courses are a series of courses compulsory for all Bachelor of Music students that develop core skills underpinning analytical and practical engagement in a variety of musical idioms, including common practice, jazz, and popular styles. In this course, students apply their knowledge of functional harmony to gain a deeper appreciation of music while developing greater fluency in reading and interpreting music notation and shorthands. The theory component is complemented with the sequential and aligned development of relevant aural skills, including audiation (inner hearing) and aural awareness of related melodic, harmonic, and rhythmic structures, through individual and group listening, reading and performing (singing), and dictation activities.

Learning Outcomes

Upon successful completion, students will have the knowledge and skills to:

1. demonstrate, through prose and music notation, an understanding of the core elements of music, including pitch, harmony, rhythm, and form;
2. fluently apply theoretical knowledge through analysis of music scores using appropriate terminology and notation;
3. demonstrate an ability to read and interpret relevant music notation, including inner hearing of melody, harmony, and rhythm, through sight-singing, sight-reading, and performance activities; and
4. aurally identify and interpret the various elements of music, including pitch, chords, harmony, and rhythm, as demonstrated through notation and performance tasks.

Research-Led Teaching

Lecturers in this course are working to lead the international conversation regarding the teaching and learning of theory and aural skills in the decolonising academy. We are in a constant state of reevaluating the materials, techniques and perspectives utilised in this course in order to reflect the dynamic postmodern cultural landscape of Australia and the rest of the planet in the 21st Century. Students in this course are provided with a creative, playful and academically rigorous space in which to pursue their own autoethnographic research-led praxis.

Field Trips

Students are encouraged to attend live and online concerts and other artistic and performance events throughout the semester, as well as trips to the library for research materials and training sessions.

Examination Material or equipment

Laptops, headphones, and writing materials may be required for exams.

Required Resources

Notebook (digital or paper); 600ml or larger water bottle; reusable straw (details on Wattle); headphones; access to a computer with a camera and microphone as well as notation (Sibelius, Musescore, Finale), DAW (Logic, Reaper, ProTools, Ableton, etc.), electronic music (SuperCollider), video editing (iMovie, Final Cut, Openshot, etc.) and analysis (Sonic Visualiser) software; metronome and other apps for your mobile phone (as discussed in class) - More details regarding this list will be provided on Wattle and discussed in week 1

Recommended Resources

Students will be provided with weekly resources and are also required to seek out resources from the library and various online sources throughout the semester.

Staff Feedback

Students will be given feedback in the following forms in this course:

• written comments
• verbal comments
• feedback to whole class, groups, individuals, focus group etc

Student Feedback

ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.

Class Schedule

Week/Session	Summary of Activities	Assessment
1	Intro to the course, assessment/topic overview
2	Theory: Rhythm & Metre; Aural skills: Hearing metre, key centre & tonality
3	Theory: Pitch collections and keys Aural skills: Root movement and common scales
4	Theory: Introduction to diatonic harmony Aural skills: Identifying intervals and triads, introduction to transcription/dictation
5	Theory: Chord inversion, phrase structure, and contextual analysis Aural skills: Triad inversions, introduction to 7th chords
6	Revision and Exam	Mid-Semester Aural and Theory Exam/Transcription Project
7	Theory: Harmonic progressions and sequences Aural skills: Common harmonic progressions, diatonic 7th chords (major/minor)
8	Theory: Non-diatonic dominant 7th chords & diminished harmony Aural skills: Harmonic security through improvisation, dictation/transcription, sight-singing
9	Theory: Introduction to counterpoint and voice leading Aural skills: Harmonic security through improvisation, dictation/transcription, sight-singing
10	Theory: Counterpoint and voice leading principals in jazz Aural skills: Harmonic awareness through composition, developing improvisation
11	Theory: Identifying embellishing tones and creating harmonic reductions, introduction to chord/scale theory Aural skills: Transcription/dictation, composition, developing improvisation
12	Revision and Exam	End-of-Semester Aural and Theory Exam/Composition Project

Tutorial Registration

Students will have the opportunity to select a theory tutorial and an aural skills tutorial via MyTimetable (each week you will be required to attend both theory and aural skills lectures and tutorials).

Assessment Summary

Assessment task	Value	Due Date	Learning Outcomes
Mid Semester Examination (20%)	20 %	26/03/2024	1,2,3,4
Transcription Project (25%)	25 %	29/03/2024	1,2,3,4
End of Semester Examination (25%)	25 %	21/05/2024	1,2,3,4
Composition Project (20%)	20 %	24/05/2024	1,2,3,4
Weekly Aural Skills Journal (10%)	10 %	24/05/2024	1,2,3,4

* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details

Policies

ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:

• Academic Integrity Policy and Procedure
• Student Assessment (Coursework) Policy and Procedure
• Special Assessment Consideration Guideline and General Information 
• Student Surveys and Evaluations
• Deferred Examinations
• Student Complaint Resolution Policy and Procedure
• Code of practice for teaching and learning

Assessment Requirements

The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.

Moderation of Assessment

Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.

Participation

Students are expected to attend and participate in weekly lectures and tutorials. There will also be opportunities for communicating with, learning from and supporting your classmates online via Teams throughout the semester. There is an opportunity for all students to be awarded marks on all assessment tasks based on their participation in activities and discussions, and by upholding and encouraging an inclusive, supportive and positive culture.

Examination(s)

All students within this course must sit the mid-semester Music Theory examination and the end of semester Aural Skills examination.

Assessment Task 1

Mid Semester Examination (20%)

All students in this course must attempt the mid-semester exam. The exam will be conducted in week 6. Topics and skills assessed will include the materials covered in weeks 1-5. There will be 4 sections:

Section 1: Ear tests

Section 2: Notated Response

Section 3: Short Answers

Section 4: Analysis

Submission:

The exam will be submitted in person at the end of the exam time.

Assessment criteria/rubric: 

• Ability to define and describe the core elements of music, including those relating to pitch, melody, harmony, rhythm, and form.
• The capacity to apply theoretical knowledge of core analytical techniques in music using appropriate terminology and notation.
• Demonstration of fluency in reading and interpreting music.
• Ability to creatively interpret various elements of music, including rhythm, pitch, chords, and harmony in tonal contexts, as demonstrated through notation tasks.

Assessment Task 2

Transcription Project (25%)

Students will present a notated transcription of a musical excerpt, selecting from a list provided on Wattle. You are asked to focus on three elements: the top voice/main melody, the root movement, and the quality of the harmony in each bar.

 You must identify the following details:

•  Key signature/tonality
• Time signature/meter
• Chord qualities (presented as chord symbols above the top voice stave)
• Structure/Form - use of appropriate phrasing, double bar lines, repeats, sections etc.
• Appropriate clefs - grand staff
• Appropriate rhythmic groupings
• Instrumentation
• Dynamics/texture/density

 You will submit your score via Wattle. Your transcription should be presented using appropriate notation software (Sibelius/Musescore), exported in the form of a PDF document, and a separate audio file for playback when marking. You will also be required to supply a 500-word (approx.) document containing a short written reflection that justifies/explains your experience with the project. You should discuss "sticking points", uncertainties, and breakthroughs you encountered, and reflect on how your thinking developed or changed through the transcription process. You should include a concluding statement that addresses your biggest improvement and your goals for future development. 

Assessment Submission:

·     Word/PDF document submitted via Wattle with 500-word (approx.) summary and reflection.

·     PDF of your lead sheet-style score (an example/template will be provided) in standard notation (using Musescore, Sibelius or similar) including annotations as appropriate.

·     WAV file of a MIDI or other realisation of your transcription (extracted from notation software, DAW or similar).

Assessment criteria:

• Clarity, neatness, and quality of notation, with an appropriate audio file.
• Demonstrated ability to accurately notate your chosen excerpt and accurately identify the musical parameters as outlined.
• The capacity to apply theoretical knowledge to assist with completing an aurally driven task.
• Demonstrated understanding of topics covered through written reflection and regular participation in tutorial activities and discussions. 
• Grammar, spelling, clarity of writing, accurate and clear music notation.

Assessment Task 3

End of Semester Examination (25%)

All students in this course must attempt the final exam. The exam will be conducted in week 12. Topics and skills assessed will include the materials covered in the course. There will be four sections:

Section 1: Ear tests

Section 2: Notated Response

Section 3: Short Answers

Section 4: Analysis

Submission:

The exam will be submitted in person at the end of the exam time.

Assessment criteria/rubric: 

• Ability to define and describe the core elements of music, including those relating to pitch, melody, harmony, rhythm, and form.
• The capacity to apply theoretical knowledge of core analytical techniques in music using appropriate terminology and notation.
• Demonstration of fluency in reading and interpreting music.
• Ability to creatively interpret various elements of music, including rhythm, pitch, chords, and harmony in tonal contexts, as demonstrated through notation tasks.

Assessment Task 4

Composition Project (20%)

Students will present a 32-bar original composition using core concepts and constraints covered in the course. The composition will include a top voice (melody), root movement, and harmony in the form of chord qualities.

The composition must include the following details:

•  Key signature/tonality
• Time signature/meter
• Chord qualities (presented as chord symbols above the top voice stave) based on the qualities covered in the course materials.
• Structure/Form - A A B A (or similar) 
• Clefs - grand staff
• Rhythmic groupings based on rhythmic patterns included in the course materials
• Dynamics

 You will submit your score via Wattle. Your composition should be presented using appropriate notation software (Sibelius/Musescore), exported in the form of a PDF document, and a separate audio file for playback when marking. You will also be required to supply a 500-word (approx.) document containing a short written reflection that justifies/explains your experience with the project. You should discuss "sticking points", uncertainties, and breakthroughs you encountered, and reflect on how your thinking developed or changed through the composition process. You should include a concluding statement that addresses your biggest improvement and your goals for future development. 

Assessment Submission:

·     Word/PDF document submitted via Wattle with 500-word (approx.) summary and reflection.

·     PDF of your score in standard notation (using Musescore, Sibelius or similar) with annotations (to be outlined on Wattle).

·     WAV file of a MIDI or other realisation of your composition (extracted from notation software, DAW or similar).

Assessment criteria:

• Clarity, neatness, and quality of notation, with an appropriate audio file.
• Demonstrated ability to accurately notate your chosen excerpt and accurately identify the musical parameters as outlined.
• The capacity to apply theoretical knowledge to assist with completing an aurally driven task.
• Demonstrated understanding of topics covered through written reflection and regular participation in tutorial activities and discussions. 
• Grammar, spelling, clarity of writing, accurate and clear music notation.

Assessment Task 5

Weekly Aural Skills Journal (10%)

Students will complete a weekly reflective journal outlining ASMT-related practice over the semester. Students are asked to reflect critically on their creative practice and aural and theory knowledge/skills to design regular, effective, and relevant activities that address individual goals and perceived weaknesses. Activities planned will ideally link theoretical knowledge with aural understanding. The journal will include a concluding reflection that justifies the chosen activities and demonstrates diagnostic abilities, creative problem-solving, and an ability to set appropriate goals and engage in constructive self-assessment.

Assessment Submission:

·     Word/PDF document submitted via Wattle with 500-word (approx.) journal and reflection.

·     Supporting documentation

Assessment criteria:

• The capacity to link theory and aural concepts through practice.
• Demonstrated ability to establish effective and appropriate practice activities, regimes, and goals.
• Demonstrated ability to think critically through written reflection, and regular participation in tutorial activities and discussions.
• Grammar, spelling, clarity of writing, accurate and clear music notation.

Academic Integrity

Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.

The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.

The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.

 

The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.

Online Submission

You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.

Hardcopy Submission

For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.

Late Submission

Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below:

• Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.

Referencing Requirements

The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material.

Returning Assignments

Feedback and marks will be provided within two weeks of assessment submission.

Extensions and Penalties

Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.

Resubmission of Assignments

In exceptional circumstances, an amended assessment task may be set for resubmission in place of the original assignment. You must consult with the Course Convenor and Lecturer for the assessment task in question to apply and your request will be considered. Timeline on due dates for any approved resubmission will be considered on a case by case basis depending on the student's personal circumstances.

Privacy Notice

The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.
In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.

Distribution of grades policy

Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.

Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.

Support for students

The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).

• ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
• ANU Access and inclusion for students with a disability or ongoing or chronic illness
• ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
• ANU Academic Skills and Learning Centre supports you make your own decisions about how you learn and manage your workload.
• ANU Counselling Centre promotes, supports and enhances mental health and wellbeing within the University student community.
• ANUSA supports and represents undergraduate and ANU College students
• PARSA supports and represents postgraduate and research students