Learning Outcomes

Upon successful completion, students will have the knowledge and skills to:

Upon Successful completion of this course, students will be able to:

1. Create poems and prose pieces in different forms and styles.
2. Experiment with and revise creative work, integrating suggestions from writing workshops and/or utilising analysis of published or other students’ creative work to modify your own.
3. Research and analyse a published work.
4. Describe, analyse and critically evaluate peers’ poetry and prose.
5. Analyse and reflect on your own creative work in relation to its formal qualities, your writing process and published work in a similar style or genre.
6. Understand and successfully deploy a range of terms and concepts integral to creative writing studies.

Indicative Assessment

Portfolio of Creative Work (60%) [Learning Outcomes 1, 2, 5] Comprising drafts and rewrites of 3 poems and one story of approximately 4,000 words.

Written and oral comments on peers' work (15%) [Learning Outcome 4]

2,000 – 2,500  word essay (25%) [Learning Outcomes 3, 5]

The ANU uses Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. While the use of Turnitin is not mandatory, the ANU highly recommends Turnitin is used by both teaching staff and students. For additional information regarding Turnitin please visit the ANU Online website.

Workload

3 contact hours and 7 hours of individual study per week for 13 weeks (total 130 hours).

Requisite and Incompatibility

Preliminary Reading

Ebrick of readings, including:

 Lecture 1

Garner, Helen. ‘I’. Meanjin. 61.1 (2002): 40-43

 Pamuk, Orhan. “My Father’s Suitcase.” Nobel Lectures. December 7, 2006. http://www.nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html

 Rilke, Ranier Marie. “Letter 1.” Letters to a Young Poet. Trans. Herter Norton. New York: Norton, 1934

 Lecture 2

Joyce, James. “Araby.” 1914. The Story and its Writer: An Introduction to Short Fiction. 6th Edition. Ed. Ann Charters. Boston: Bedford/St. Martins, 2003

 Wood, James. “Narrating.” How Fiction Works. London: Jonathan Cape: 5-31

Barth, John. “Lost in the Funhouse.” 1967. The Story and its Writer: An Introduction to Short Fiction. 6th Edition. Ed. Ann Charters. Boston: Bedford/St. Martins, 2003

Lecture 3

Munro, Alice. “A Wilderness Station.” Open Secrets. New York: Knopf, 1994

LeGuin, Ursula. “The Ones Who Walk Away from Omelas.” 1976. The Story and its Writer: An Introduction to Short Fiction. 6th Edition. Ed. Ann Charters. Boston: Bedford/St. Martins, 2003

Lanagan, Margo. “Singing My Sister Down.” Black Juice, St Leonards, NSW: Allen & Unwin, 2004, pp 3-7

Lecture 4

Chekhov, Anton. “The Lady with the Little Dog.” 1903. The Lady with the Little Dog and Other Stories. Trans. Ronald Wilkes. London: Penguin, 2002

Bobis, Merlinda. “White Turtle.” The Kissing. San Francisco: Aunt Lute Books, 2001

Maupassant, Guy de. “Introduction.” 1887. Pierre and Jean. Trans. Leonard Tancock. London: Penguin, 1979

O’Brien, Tim. “The Things They Carried.” 1986. The Story and its Writer: An Introduction to Short Fiction. 6th Edition. Ed. Ann Charters. Boston: Bedford/St. Martins, 2003

Lecture 5

Cooper, Barry. “9.7 Milligrams of Heaven.” Best Australian Stories 2007. Ed Robert Drewe. Melbourne: Black Inc., 2007

Moore, Lorrie. “People Like That Are the Only People Here: Canonical Babbling in Peed Onk.” Birds of America. New York: Picador, 1998

Enright, Anne. “Until the Girl Died.” Yesterday’s Weather. New York: Grove Press, 2008

Lecture 6

Carver, Raymond, “What we talk about when we talk about love.” Stories of Raymond Carver.  London : Picador, 1985, c1983, pp. 270-281

 Hartnett, Sonya. “The Colour of Success.” Australian Author. December, 2004, pp 8-12

 The New Yorker, "Beginners," edited: the transformation of a Raymond Carver classic. New Yorker.  New York: The New Yorker Magazine, Dec 2007

 The New Yorker, “Rough crossings: the cutting of Raymond Carver.” New Yorker. New York: The New Yorker Magazine, Dec 2007

 Forche, Carolyn. “The Colonel.” The Country Between Us. New York: Harper and Row, 1981 online at: http://poetrydispatch.wordpress.com/2009/09/27/carolyn-forche-the-colonel/

 Lecture 7

Collins, Billy. “Passengers.”  Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998. Online at: http://writersalmanac.publicradio.org/index.php?date=2004/12/07

 Kunitz, Stanley. “The Abduction.” 1985. The Collected Poems: Stanley Kunitz. New York: W. W. Norton, 2000 Online at: http://www.poets.org/viewmedia.php/prmMID/19249

 Cronin, M.T.C. “Eating Paint.” 1999. New Music: An Anthology of Contemporary Australian Poetry. Ed. John Leonard. Wollongong: Five Islands Press, 2001.

 Lea, Bronwyn. “Ars Poetica.” The Other Way Out. Sydney: Giramondo, 2008

 Lecture 8

Dobyns, Stephen. “Metaphor and the Authenticating Act of Memory.” Best Words, Best Order: Essays on Poetry. 3rd Ed. New York: Palgrave, 2003

 Pollitt, Katha. “Archeology.” Antarctic Traveller. New York: Knopf, 1983

 Neruda, Pablo. “Walking Around.” 1935. Residence on Earth. Trans. Donald Walsh. New York: New Directions, 1973

 Howe, Marie. “The Attic.” What the Living Do. New York: W.W. Norton, 1998

 Holland-Batt, Sarah. “The Art of Disappearing.” Young Poets: An Australian Anthology. Melbourne: John Leonard Press, 2011

 Lecture 9

Baudelaire, Charles. “L’Albatros.” 1857. Les Fleurs du Mal. Trans. R. Howard. London: Picador, 1987

 Creeley, Robert. “I Know a Man.” The Collected Poems of Robert Creeley. Berkeley, CA: University of California Press, 1982. Online at: http://www.poetryfoundation.org/poem/171564

 Kinzie, Mary. “Line and Half-Meaning.” A Poet’s Guide to Poetry. Chicago: University of Chicago Press, 1999

 MacLeish, Archibald. “You, Andrew Marvell.” 1952. The Making of a Poem: A Norton Anthology of Poetic Forms. Ed. Mark Strand and Eavan Boland. New York: Norton, 2001

 Lecture 10

Yeats, W.B. “Leda and the Swan.” 1923. The Variorum Edition of the Poems of W.B. Yeats. Eds. Peter Allt and Russell K. Absprach. New York, MacMillan, 1957

 Lawrence, C.A. “First to Go.” A Return to Poetry 2000. Sydney: Duffy and Snellgrove, 2000

 Thomas, Dylan. “Do Not Go Gentle into That Good Night.” The Norton Anthology of Poetry. Ed. Allison, Barrows, Blake, Carr, Eastman and English. 3rd Ed. New York: W.W. Norton, 1983 p. 1181-2

 Owen, Wilfred. “Anthem for Doomed Youth” (1917) and “Arms and the Boy” (1918). Western Wind: An Introduction to Poetry. 4th edition. J.F. Nims and D. Mason. Boston: McGraw Hill, 2000

 No author. Traditional Malay Pantun. More than a Pantun: Understanding Malay Verse. Katherine Sim. Singapore: Times Books International, 1987

 Lecture 12

Moore, Marianne. “Poetry.” Observations. New York: Dial Press, 1924

 Moore, Marianne. “Poetry” (2 versions). The Complete Poems. London: Faber & Faber, 1968

 Voigt, Ellen Bryant. “Amaryllis.” 1987. In: Dobyns, Stephen. Best Words, Best Order: Essays on Poetry. 3rd Ed. New York: Palgrave, 2003

Specialisations

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