This course traces the evolution of rock music in its diverse forms and varied practice, from the influence of
rhythm and blues on the development of rock and roll in the 1950s, through the emergence of a distinct rock
idiom in the 1960s, through to more recent developments of the style in the new millennium.
The interaction of rock with its socio-cultural context provides a framework for the historical aspect of this
course, examining the ways in which social and cultural developments have influenced the development of the music, while also examining the impact that the music itself has had on its socio-cultural context. In addition, this historical study will also be framed by the critical discourse on rock music that has developed since the 1970s, drawing on relevant theoretical and analytical frameworks which provide further insight into different aspects of the music. In particular, these theoretical frameworks will inform a critical exploration of how rock music may be defined.
Formal musical training is not required beyond a critical ear and critical mind. By doing this course you will have the opportunity to gain new perspectives on what is arguably one of the most important styles of music to develop out of the mid-20th Century.
Upon successful completion, students will have the knowledge and skills to:
Upon Successful completion of this course, students will be able to:
- Analyse and critique developments in the history of rock
music in relation to socio-cultural, historical and political contexts
- Analyse, in aural and written form, relevant examples of
- Apply relevant theoretical concepts in the analysis and
interpretation of rock music
- Conduct focused research on specific aspects of rock
music, integrating historical and cultural context, theoretical background and
- Present your arguments and ideas coherently in both written and verbal form
Tutorial presentation and moderation of tutorial discussion (10-15 mins) (15%) [All Learning Outcomes]
Essay Plan and Bibliography (1200 words) (15%) [All Learning Outcomes]
Essay (2500 words) 45% [All Learning Outcomes]
Listening Test (25%) [All Learning Outcomes]
The ANU uses Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. While the use of Turnitin is not mandatory, the ANU highly recommends Turnitin is used by both teaching staff and students. For additional information regarding Turnitin please visit the ANU Online website.
Workload130 hours of total student learning time made up from: a) 36 hours of contact over 12 weeks: 12 hours of lectures and 24 hours of tutorials; and b) 94 hours of independent student research, reading and writing.
Requisite and Incompatibility
Jones, T. ad McIntosh, J. (2008). Rock’n’Roll Origins and Innovations. Dubuque: Kendall Hunt.
Companion website: http://webcom7.grtxle.com/rocknroll
Allan F. Moore. Rock: The Primary Text. 2nd ed. Aldershot: Ashgate, 2001
Tuition fees are for the academic year indicated at the top of the page.
If you are a domestic graduate coursework or international student you will be required to pay tuition fees. Tuition fees are indexed annually. Further information for domestic and international students about tuition and other fees can be found at Fees.
- Student Contribution Band:
- Unit value:
- 6 units
If you are an undergraduate student and have been offered a Commonwealth supported place, your fees are set by the Australian Government for each course. At ANU 1 EFTSL is 48 units (normally 8 x 6-unit courses). You can find your student contribution amount for each course at Fees. Where there is a unit range displayed for this course, not all unit options below may be available.