- Code ARTH2175
- Unit Value 6 units
- Offered by School of Art and Design
- ANU College ANU College of Arts and Social Sciences
- Course subject Art History
- Areas of interest American Studies, Art History, Australian Studies, International Relations, Visual Arts
Across the Pacific: Australian Interactions with American Art and Art-Worlds will provide an introduction to Australia's engagement with American Art with a particular focus on exhibition history within the two countries. Through the provision of theoretical, social, political and historical contexts the course will include an introduction to key art theorists such as Clement Greenberg, Harold Rosenberg, Sol Lewitt, Rosalind Krauss, Ian Burn and others whose ideas had an impact on Australian artists. Topics may include: Two Decades of American Painting (1967) The Field exhibition and its legacy (1968) and Kaldor Art Projects (1969 onwards). The political context for these exhibitions will also be discussed, particularly in relation to the purchase of Blue Poles by the NGA in 1973 and the promotion of American art internationally during the Cold War period. Through an examination of the relationship between exhibitions and theory, the second part of the course will focus upon developments in performance art, womens art, conceptual art and environmental art. The course will provide a vital introduction to American-Australian art and theory from the 1940's onwards.
Upon successful completion, students will have the knowledge and skills to:
- find, identify and analyse different artworks and exhibitions related to the interaction between Australian and American art from 1941 onwards;
- utilise appropriate primary and secondary sources to craft scholarly arguments;
- demonstrate a firm understanding of the cultural, political, historical and theoretical contexts informing the production of Australian art influenced by American art and theory; and
- write and talk critically about the relationship between American and Australian art with a focus upon exhibition history.
- Participation (10) [LO 1,2,3,4]
- Tutorial presentation, 8 minutes (20) [LO 1,2,3,4]
- Extended Research Essay, 2500 words (40) [LO 1,2,3,4]
- Visual analysis drawing upon a theoretical approach, 1500 words (30) [LO 1,3,4]
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130 hours of total student learning time made up from:
a) 36 hours of contact over 12 weeks: lectures, seminars and tutorials; and
b) 94 hours of independent student research, reading and writing.
Requisite and Incompatibility
No textbook required
Barrett, Lindsay. The Prime Minister's Christmas Card: Blue Poles and Cultural Politics in the Whitlam Era, Sydney: Power Publications, 2001.
Curley, John J. Global Art and the Cold War, London, Laurence King, 2019.
Green Charles. Peripheral Vision: Contemporary Australian Art 1970-1994, Craftsman House: Sydney, 1995.
Green, Charles and Heather Barker. 'No Place Like Home: Australian art history and contemporary art at the start of the 1970's', Journal of Art Historiography, Vol. 3, no.1, 2011.
Green Charles and Heather Barker. 'The watershed: Two Decades of American Painting at the National Gallery of Victoria', Art Bulletin of the National Gallery of Victoria, no 50: 64-77, May, 2011.
Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War, Chicago: University of Chicago Press,1983.
Harrison, Charles and Paul Wood. Art in Theory 1900-1990, An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 1994.
Krauss, Rosalind. 'Sculpture and the Expanded Field' in October , Vol. 8, Spring 1979, 30-44.
Luck, Ross. K. The Australian painters, 1964-1966 : contemporary Australian painting from the Mertz collection, Washington: Corcoran Gallery of Art, 1967.
Mendelssohn, Joanna. Catherine De Lorenzo, Alison Inglis, Catherine Speck, Australian Art Exhibitions, Opening Our Eyes, London: Thames and Hudson, 2018.
National Gallery of Victoria, The Field , Melbourne: NGV, 1968.
National Gallery of Victoria, Two Decades of American Painting , Melbourne: NGV, 1967.
Smith, Terry. 'The Provincialism Problem', Artforum, vol. XIII, no. 1 (September 1974): 54-9.
Speck, Cathy and Joanna Mendelssohn. 'The 1970s: Curators Framing the Avant Garde in Writing and Rewriting Art History', Australian and New Zealand Journal of Art, 17:1, 97-112.
Saunders, Frances Stonor. Who Paid the Piper?: The CIA and the Cultural Cold War, London: Granta, 1999.
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