- Class Number 2870
- Term Code 3130
- Class Info
- Unit Value 6 units
- Mode of Delivery In Person
- Dr Christopher Sainsbury
- Dr Christopher Sainsbury
- Class Dates
- Class Start Date 22/02/2021
- Class End Date 28/05/2021
- Census Date 31/03/2021
- Last Date to Enrol 01/03/2021
This course addresses skills required to compose music for small standard combinations including: choir, piano plus two, and for saxophone quartet, contemporary rock and jazz groups. Working with these standard combinations focuses on the development of essential four-part writing technique (homophonic and polyphonic). Related to these creative tasks students will be guided in analysis of pieces from a range of genres, styles and cultures with reference to: scales and series, harmony and form, counterpoint and texture, orchestration – composing with colours.
Upon successful completion, students will have the knowledge and skills to:
- understand compositional and orchestration techniques involved in writing for four independent voices (i.e. linear instrumental or vocal parts);
- analyse compositions using four independent voices;
- create original compositions for four independent voices; and
- communicate key decisions taken during the creative process through an exegesis.
This semester the aspects of composing art song, for small ensembles, and the investigation of Indigenous music will draw upon the lecturer's research expertise relating to current or recent projects. Together we will unpack some of the technical and expressive aspects and cultural contexts of select repertoire and composers, broadening out of an overly Western paradigm.
Additional Course Costs
Examination Material or equipment
Manuscript, pencils, erasers, relevant notation software and computer, access to scores.
* Relevant Orchestration texts (Stiller, Lovelock, Keenan, Solomon, Piston, Rimsky-Korsakov, Mancini, others)
* Robert P. Morgan Anthology of Twentieth Century Music (New York and London: W.W. Norton & Co. Inc., 1992)
* Paul Griffiths Modern Music and After (New York: Oxford University Press, 2010)
* Robert P. Morgan (ed) Anthology of Twentieth-century Music (New York: WW Norton and Company Inc, 1992).
*Arnold Whittall Musical Composition in the Twentieth Century (Oxford: Oxford University Press, 1999).
Students will be given feedback in the following forms in this course:
- written comments
- verbal comments
- feedback to whole class, groups, individuals, focus group etc
ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). The feedback given in these surveys is anonymous and provides the Colleges, University Education Committee and Academic Board with opportunities to recognise excellent teaching, and opportunities for improvement. The Surveys and Evaluation website provides more information on student surveys at ANU and reports on the feedback provided on ANU courses.
|Week/Session||Summary of Activities||Assessment|
|1||Composing for piano (overview of essentials including harmony, voicing, rhythm, textures and figuration in works by Ginastera, Bach, Guibaidulina, Kagel, Penberthy, Kats-Chernin). Gesture in the miniatures of Kurtag in focus.||Assessment Events & Schedule overview|
|2||Composing for piano in 3-parts (Hindemith, Evans).|
|3||Writing art songs: lyric writing, melody, accompaniment (chord progression, rhythm and figuration, texture). Britten, Grieg, De Falla, others.|
|4||Aspects of composing popular/jazz songs|
|5||Writing for choir (thinking textures - homophonic, polyphonic, complex).|
|6||Student oral presentations on original score 1 (either with performance, audio version, or in score presentation).|
|7||Writing for choir and/or writing back-up vocals for contemporary songs|
|8||Composing for piano trio|
|9||Indigenous composers and those influenced by the music of Indigenous or non-Western cultures (Lloyd, Whitehead, others)|
|10||Composing for small mixed ensemble|
|11||Review of studies, and assistance for works in progress|
|12||Student presentations of original scores (performed, audio versions, in score)|
Wed 1 - 2, or 2 - 3. Must attend lecture week one to be allocated best tutorial time
|Assessment task||Value||Due Date||Learning Outcomes|
|Oral Presentation||10 %||31/03/2021||LO2|
|Piano Work or Art Song||25 %||31/03/2021||LO1, LO3|
|Choir piece||25 %||05/05/2021||LO1, LO3|
|Piano trio or small mixed ensemble work||25 %||28/05/2021||LO1, LO3|
|Exegesis||15 %||28/05/2021||LO3, LO4|
* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details
ANU has educational policies, procedures and guidelines, which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Misconduct Rule before the commencement of their course. Other key policies and guidelines include:
The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Integrity . In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.
Moderation of Assessment
Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.
In class (lectures and tutorials)
Assessment Task 1
Learning Outcomes: LO2
Student oral presentations on original score 1 (either with embedded performance, audio version, or from score presentation). Oral presentation must Include either musical techniques and expressions used, and/or any contemporary or historical contextual aspects (political, religious, moral, social). 5-7 mins presentation only.
Assessment Task 2
Learning Outcomes: LO1, LO3
Piano Work or Art Song
3 - 5 minute piano piece or art song, scored to benchmark standards (legible, appropriately spaced staves, dynamics and articulations, etc). Presented as pdf score with audio or indicative audio version. Bound hard copy handed in (copy only, student must keep original), or emailed to lecturer, and if emailed labelled only with name on pdf (not u-number) followed by 'piano work' or 'art song'. Name must also be on score (not u-number). No instructions in email, all such things if necessary must be on score. If hard copy handed in, lecturer will sign form 'received from student on due date'.
Assessment Task 3
Learning Outcomes: LO1, LO3
3 - 5 minute choir piece, scored to benchmark hand-written standards for relevant style of choral music (legible, appropriately spaced staves, dynamics and articulations, etc). Presented as photocopied pdf score with audio or indicative audio version. Bound hard copy handed in (copy only, student must keep original), or emailed to lecturer, and if emailed labelled only with name on pdf (not u-number) followed by 'choral piece'. Name must also be on score (not u-number). No instructions in email, all such things if necessary must be on score. If hard copy handed in, lecturer will sign form 'received from student on due date'.
Assessment Task 4
Learning Outcomes: LO1, LO3
Piano trio or small mixed ensemble work
3 - 5 minute piano trio or small mixed ensemble work, scored to benchmark standards (legible, appropriately spaced staves, dynamics and articulations, etc). Presented as pdf score with audio or indicative audio version. Bound hard copy handed in (copy only, student must keep original), or emailed to lecturer, and if emailed labelled only with name on pdf (not u-number) followed by 'piano trio' or 'mixed ensemble'. Name must also be on score (not u-number). No instructions in email, all such things if necessary must be on score. If hard copy handed in, lecturer will sign form 'received from student on due date'.
Assessment Task 5
Learning Outcomes: LO3, LO4
Exegetical writing on your composition/s 2 or 3. Expectations are analysis of the music and its context, and/or reflection of the journey in your composing, and/or how you arrived at the creative decisions you made. 750 words (two pages, with up to three embedded notated examples if relevant). Submit via turnitin.
Academic integrity is a core part of the ANU culture as a community of scholars. At its heart, academic integrity is about behaving ethically, committing to honest and responsible scholarly practice and upholding these values with respect and fairness.
The ANU commits to assisting all members of our community to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. The ANU expects staff and students to be familiar with the academic integrity principle and Academic Misconduct Rule, uphold high standards of academic integrity and act ethically and honestly, to ensure the quality and value of the qualification that you will graduate with.
The Academic Misconduct Rule is in place to promote academic integrity and manage academic misconduct. Very minor breaches of the academic integrity principle may result in a reduction of marks of up to 10% of the total marks available for the assessment. The ANU offers a number of online and in person services to assist students with their assignments, examinations, and other learning activities. Visit the Academic Skills website for more information about academic integrity, your responsibilities and for assistance with your assignments, writing skills and study.
You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.
For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.
Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below:
- Late submission not permitted. If submission of assessment tasks without an extension after the due date is not permitted, a mark of 0 will be awarded.
- Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.
Accepted academic practice for referencing sources that you use in presentations can be found via the links on the Wattle site, under the file named “ANU and College Policies, Program Information, Student Support Services and Assessment”. Alternatively, you can seek help through the Students Learning Development website.
Extensions and Penalties
Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.
Distribution of grades policy
Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.
Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.
Support for students
The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).
- ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
- ANU Diversity and inclusion for students with a disability or ongoing or chronic illness
- ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
- ANU Academic Skills and Learning Centre supports you make your own decisions about how you learn and manage your workload.
- ANU Counselling Centre promotes, supports and enhances mental health and wellbeing within the University student community.
- ANUSA supports and represents undergraduate and ANU College students
- PARSA supports and represents postgraduate and research students
Composition, Contemporary Indigenous Music, Regionalism in Music, Contemporary Guitar Music, Songwriting
Dr Christopher Sainsbury