This course introduces key concepts and methods in the history of art and design. You will explore how images and objects shape ways of seeing, imagining and knowing the world, and consider how they establish cultural meaning through material, form and ideas. Art and design—primarily from Europe, Asia and Australia—will be considered in terms of cultural beliefs, social meaning, historical experience and systems of knowledge. Focussing on the themes of time and place, the course will examine with cultural practices in terms of history (context, continuity, change), knowledge (reason, imagination, belief), meaning (mediums, symbols, aesthetics) and experience (materiality, subjectivity, sociality).
Learning Outcomes
Upon successful completion, students will have the knowledge and skills to:
- identify and apply the principal methodologies of art history and theory;
- analyse the visual, historical and theoretical aspects of a broad range of visual culture;
- identify major cultural themes and historical paths in World art;
- research and access information about art history and theory; and
- present written and oral arguments about the ideas that inform art and design from a wide range of periods and cultures.
Research-Led Teaching
Lectures will be delivered primarily by staff and associates of the Centre for Art History and Art Theory, School of Art & Design. Lectures are based on the research expertise of
academics, drawing on extensive practice in scholarly research, exhibition and museum curatorship, and professional practice in the gallery, library, archive and museum sector.
Field Trips
Subject to current COVID restrictions field trips to galleries on campus and in Canberra may be undertaken. Students will be encouraged to make use of major museums and
collections in Canberra in undertaking assessment tasks.
Additional Course Costs
A class or assessment task involving a field trip or independent research visit to an art gallery or museum may incur costs relating to public transport, parking or admission.
Examination Material or equipment
Not applicable.
Required Resources
The principle resources for the course will be available to participants through the course Wattle site (course outline, class readings, guides to research and writing, assessment
tasks). Additional resources supporting engagement with the curriculum (video, online content links, study and writing guides, advice on assessment tasks) will be posted on
Wattle. Classes and assessment tasks are designed to be supported by general internet access and ANU on-line and on-campus resources (libraries, Drill Hall Art Gallery, Wattle,
Echo360, Turnitin etc).
Recommended Resources
Whether you are on campus or studying remotely, there are a variety of online platforms you will use to participate in your study program. These could include videos for lectures and other instruction, two-way video conferencing for interactive learning, email and other messaging tools for communication, interactive web apps for formative and collaborative activities, print and/or photo/scan for handwritten work and drawings, and home-based assessment.
ANU outlines recommended student system requirements to ensure you are able to participate fully in your learning. Other information is also available about the various Learning Platforms you may use.
It is recommended that students take advantage of resources offered within the ANU library system (including numerous specialist online research and information sources, instructional videos and research guides). In addition, the support services of the University offer guidance for research and writing (Learning Skills Unit) and pastoral care. Additional resources are available to students at museums and collections in Canberra.
Staff Feedback
Students will be given feedback in the following forms in this course:
- written comments
- verbal comments
- feedback to whole class, groups, individuals, focus group etc
Student Feedback
ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.
Class Schedule
Week/Session | Summary of Activities | Assessment |
---|---|---|
1 | Lecture topics: Art, time and art history. Course goals and administration Tutorial topic: Course goals and administration. Looking exercise | Assessment task 1, Research Questionnaire, posted on Wattle site (Friday 25 February) |
2 | Lecture topics: The Renaissance---Historical and art historical narratives Tutorial topic: Art and social experience in Renaissance Italy | |
3 | Lecture topics: Narrative in Renaissance art Tutorial topic: The structure and effects of narrative in Renaissance art | Assessment task 1, Research questionnaire, due: Friday 11 March. Assessment task 2, Research Essay, posted on Wattle site: Friday 11 March |
4 | Lecture topics: Baroque art and environment. Planning an essay (Learning Skills Unit). Tutorial topic: Baroque art; faith and spectacle | |
5 | Lecture topics: Enlightenment, Art and Science. Essay writing: Evidence, impact, acknowledgement. Tutorial topic: Representations of science and knowledge in the Enlightenment | Assessment task 1, Research questionnaire returned: Friday 25 March |
6 | Lecture topics: Classicism and Neo-classicism. Essay writing: What should art writing tell the reader? Tutorial topic: The revival of classicism in the Age of Reason | |
7 | Lecture topics: Ideal landscapes. How artists use art’s history. Tutorial topic: Nature, beauty and convention; The ideal landscape | |
8 | Lecture topics: Landscapes in the age of exploration and colonisation. Challenging and renewing historical narrative. Tutorial topic: The colonised landscape | Assessment task 2, Research Essay, due: Friday 29 April |
9 | Lecture topics: Displaying art, framing knowledge---how art museums shape meaning and experience Tutorial topic: The museum as a machine for looking at art | |
10 | Lecture topics: Subjectivity, imagination and knowledge in Romantic art. Visual culture—the case of Mary Shelley’s Frankenstein. Tutorial topic: Art, imagination and subjectivity | |
11 | Lecture topics: The advent of photography. Tutorial topic: The photograph as practice, document and discourse | Assessment task 2, Research Essay, returned: Friday 20 May |
12 | Lecture topics: Realism---knowledge, politics and social reform Tutorial topic: Realism, rhetoric and social reform | |
13 | Examination period 2-18 June | Assessment task 3, Take home exam, posted on Wattle site: Thursday 2 June, due Friday 10 June. |
Tutorial Registration
Students must register for one of the available tutorial times via the course Wattle site.
Assessment Summary
Assessment task | Value | Due Date | Return of assessment | Learning Outcomes |
---|---|---|---|---|
Assessment task 1: Research questionnaire | 25 % | 11/03/2022 | 25/03/2022 | 1, 4, 5 |
Assessment task 2: Research essay | 40 % | 29/04/2022 | 20/05/2022 | 1, 2, 4, 5 |
Assessment task 3: Take home examination | 25 % | 09/06/2022 | 30/06/2022 | 2, 3, 5 |
Assessment task 4: Class participation | 10 % | * | * | 1, 2, 5 |
* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details
Policies
ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:
- Academic Integrity Policy and Procedure
- Student Assessment (Coursework) Policy and Procedure
- Special Assessment Consideration Guideline and General Information
- Student Surveys and Evaluations
- Deferred Examinations
- Student Complaint Resolution Policy and Procedure
- Code of practice for teaching and learning
Assessment Requirements
The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.
Moderation of Assessment
Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.
Participation
In weekly lectures, the principal themes of the course are introduced, offering guidance for reading, class discussion and assessment tasks. There are also opportunities for questions and discussion of emerging issues. In weekly classes, student discuss issues arising in lectures and readings, put forward their opinions and interpretations of art works, ask questions, and listen and respond to each others’ views. Productive discussions develop your ideas and oral presentation skills, and support the development of a community of practice (‘a group of people who share a common concern, a set of problems, or an interest in a topic and who come together to fulfil both individual and group goals’).
Assessment Task 1
Learning Outcomes: 1, 4, 5
Assessment task 1: Research questionnaire
This exercise is designed to introduce you to essential research tools that you will use to support your development of essays, class presentations and other forms of academic writing. It introduces you to the reference system set out in the Chicago Manual of Style. It encourages you to assess various resources and distinguish between general sources (such as Wikipedia) and those that support research of a university standard.
Questionnaire available: 25 February 2022
Submission date: 11 March 2022
Word length: 1,000 words
Percentage of total assessment for the course: 25%
Rubric
CRITERIA | Fail | Pass | Credit | Distinction | High distinction |
---|---|---|---|---|---|
RESEARCH AND KNOWLEDGE | Research tasks incomplete or incorrect (in relation to specific number and kind of sources required by exercise) | Adequate range of research sources Relies on internet sites (blogs, journalism, aggregators) rather than scholarly publications | Good range of references but missing key sources Sources support address to questions but are primarily reported information | Wide range of sources consulted Shows good level of skill in using research resources Shows understanding of how sources support address to questions | Thoroughly researched, consulting all the major sources Shows independent perspective and initiative in identifying and using research resources
|
ARGUMENT | Lacks any argument and does not address the terms of the essay question | The terms of the question are addressed but argument tends to observation and impression Does not develop an independent perspective on the topic Argument is not forcefully stated or developed | Clearly stated argument which addresses the terms of the question purposefully Argument developed in a systematic structure of proposition, evidence and conclusion Argument tends to report or summarise opinion | Strong argument that presents a wide range of convincing points The argument is proposed directly and is consistently addressed Argument developed in a systematic structure of proposition, evidence and conclusion | Highly sophisticated and lucid argument that addresses the essay question comprehensively and insightfully The argument develops an independent perspective on the question, supported by astute use of evidence and analysis |
VISUAL ANALYSIS | Does not discuss relevant art work | Visual analysis tends to be general or impressionistic. Too reliant on summary of published sources | Visual analysis is targeted and structured in its reporting. The reader is effectively directed towards key elements of the art work | Visual analysis is purposeful, coherent and effectively communicates key characteristics of the art work | Visual analysis is astute and independent, with a strong sense of engagement and inquiry |
ORGANISATION | Little or no structure of argument and analysis Disconnected observations, impressions or reporting of material | A simple arrangement of ideas into a basic address to the questions Usually remains focused on the topic | Clear organisation of ideas, with key components (observations, analysis, conclusion) evident Remains focused on the topic | Strong organization with a purposeful structure, direct statement of observations and analysis Systematic address to the terms of the questionnaire
| Excellent organisation Logical succession of observations and ideas A sense of an independent voice and agenda |
WRITING | Poorly written with many spelling and grammatical errors | Adequately written essay Usually correct grammar and spelling | Well written. Usually correct grammar and spelling | Fluently written Minimal grammatical and spelling errors | Highly articulate and written in an eloquent style Comprehension enhanced by grammar and spelling |
REFERENCING | Inadequate referencing No use of the Chicago Style Manual | Adequate referencing but with some mistakes and inconsistencies Use of the Chicago Style Manual | Good referencing with few mistakes Use of the Chicago Style Manual | Careful referencing almost no mistakes Use of the Chicago Style Manual | Meticulous referencing se of the Chicago Style Manual |
Assessment Task 2
Learning Outcomes: 1, 2, 4, 5
Assessment task 2: Research essay
This task focuses on foundations of research practice within the humanities: assessing a research question, undertaking research, formulating a response, gathering evidence, structuring a written argument, and presenting a clearly communicated and compelling case for your point of view. You will select and respond to an essay question from a list provided. The questions will relate to topics, issues and art works raised in lectures, class readings and discussions. An effective essay will develop an informed and focussed argument, supported by convincing evidence, robust research sources and formal academic citation (quotations, footnotes, illustrations, bibliography or list of references). The essay will be more than an overview, an appreciation or a summary of reading.
Research essay questions available: 11 March 2022
Submission date: 29 April 2022
Word length: 2,000 words (excluding footnotes, references, captions).
Percentage of total assessment for the course: 40%
Rubric
CRITERIA | Fail | Pass | Credit | Distinction | High distinction |
---|---|---|---|---|---|
RESEARCH AND KNOWLEDGE | Little indication of research drawing on formal, scholarly material Little knowledge of major themes Does not include a bibliography (when required)
| Adequate range of research sources Relies on internet sites (blogs, journalism, aggregators) rather than scholarly publications Adequate understanding of the topic | Good range of references but missing key sources Shows understanding of key research issues in the essay question but tends towards overview rather than reflective engagement | Wide range of sources, including peer reviewed journals, but missing some key authors Thorough knowledge of the major issues and perceptive analysis of major points Uses research sources to develop and drive an argument | Thoroughly researched, consulting all the major sources, including peer reviewed journals, principle monographs and exhibition catalogues Sophisticated understanding of the major issues and awareness of complexities Uses research sources to develop an independent argument |
ARGUMENT | Lacks any argument and does not address the terms of the essay question | The terms of the question are addressed but argument tends to observation and impression Does not develop an independent perspective on the topic Argument is not forcefully stated or developed | Clearly stated argument which addresses the terms of the question purposefully Argument developed in a systematic structure of proposition, evidence and conclusion Argument tends to report or summarise opinion | Strong argument that presents a wide range of convincing points The argument is proposed directly and is consistently addressed Argument developed in a systematic structure of proposition, evidence and conclusion | Highly sophisticated and lucid argument that addresses the essay question comprehensively and insightfully The argument develops an independent perspective on the question, supported by astute use of evidence and analysis |
VISUAL ANALYSIS | Does not discuss relevant art works Limited number of art works discussed | Includes a suitable choice of images with a basic analysis.
Visual analysis tends to be illustrative, with examples paired with contentions of argument, without elaboration. | Suitable choice of images with purposeful visual analysis
Visual analysis directly supports the development of argument (as proposition and evidence) | Suitable choice of images with close attention to visual analysis Visual analysis astutely integrated into the overall argument, consistently initiating and propelling an address to the essay question | Excellent choice of images, with highly perceptive visual analysis Visual analysis integrated into the overall argument in a compelling and seamless manner |
ORGANISATION | Does not directly address the essay question Little or no structure of argument and analysis Disconnected observations, impressions or reporting of material | A simple arrangement of ideas into a basic address to the question Key components (introduction, statement of argument, analysis, conclusion) may be missing or out of balance Usually remains focused on the topic | Clear organisation of ideas, with key components (introduction, statement of argument, analysis, conclusion) evident Remains focused on the topic May be some imbalance or disconnection of elements (e.g. over-long introduction, buried thesis, sudden shifts of topic) Good use of paragraphing | Strong organization with a purposeful structure, direct statement of argument, systematic progress through evidence towards conclusion A sense, in introduction and conclusion, that the author has an agenda Effective use of paragraphing and topic sentences to propel the essay from introduction through to conclusion | Excellent organisation Extremely logical paragraphs with highly effective use of topic sentences Engaging and highly effective introduction and conclusion |
WRITING | Poorly written with many spelling and grammatical errors | Adequately written essay Usually correct grammar and spelling | Well written essay Usually correct grammar and spelling | Fluently written essay Minimal grammatical and spelling errors | Highly articulate and written in an eloquent style Comprehension enhanced by grammar and spelling |
REFERENCING | Inadequate referencing Images inadequately labeled
| Adequate referencing and image labeling but with some mistakes and inconsistencies
Use of the Chicago Style Manual and footnotes | Good referencing and image labeling with few mistakes Use of the Chicago Style Manual and footnotes | Careful referencing and image labeling with almost no mistakes Use of the Chicago Style Manual and footnotes Effective use of quotations | Meticulous referencing and image labeling Use of the Chicago Style Manual and footnotes Excellent and balanced use of quotations |
Assessment Task 3
Learning Outcomes: 2, 3, 5
Assessment task 3: Take home examination
This task assesses test your engagement with the overall themes of the course and your grasp of key methods of interpretation and argument (especially observation, visual analysis, evidence). This task will seek your ideas and reflections on topics, themes and art works examined throughout the semester. The exam paper will include a set question or questions that nominate a topic, and invite you to explore it in a nominated art work. Both the topic and the art works will have been raised in lectures, classes and readings. The exercise invites synthesis (drawing together ideas, information, evidence), reflection (developing an overview, identifying key ideas or methods), and visual analysis (observing, describing, pointing to). As this is an exam no extensions will be granted and late submission will not be accepted.
Take home examination questions available: 2 June 2022
Submission date: 9 June 2022
Word length: 1,000 words (excluding footnotes, references, captions).
Percentage of total assessment for the course: 25%
Rubric
CRITERIA | Fail | Pass | Credit | Distinction | High Distinction |
---|---|---|---|---|---|
RESEARCH AND KNOWLEDGE | Limited awareness of class readings and key texts Little knowledge of major themes in the curriculum | Engagement with course resources (lectures, readings) Adequate understanding of the topic | Good range of resources are used or referred to but missing significant sources (when required)
Good understanding of major issues in the curriculum | Wide range of resources are used or referred to
Thorough knowledge of the major issues and perceptive analysis of major points | Thoroughly engagement with course, confident and purposeful use of key materials Sophisticated understanding of the major issues and awareness of complexities
|
ARGUMENT | Lacks any argument and does not address the question | Sound attempt to write an argument and adequately address the question | Clearly stated argument which addresses the question with purpose | Strong argument that presents a wide range of convincing points | Highly sophisticated and lucid argument that addresses the question comprehensively and insightfully
|
VISUAL ANALYSIS | Does not discuss relevant images | Visual analysis may be general and descriptive Visual analysis integrated in a basic manner | Visual analysis is purposeful and attentive Visual analysis successfully integrated into the overall argument | Visual analysis is purposeful and attentive, with observations consistently propelling the argument
Visual analysis astutely integrated into the overall argument | Highly perceptive visual analysis
Visual analysis integrated into the overall argument in a compelling and seamless manner |
ORGANISATION | Little or no structure Lacks focus and purpose Does not address the question | Adequate arrangement of ideas (general, observational) Usually remains focused on the topic | Clear organisation of ideas Good use of paragraphing Good introduction and conclusion Remains focused on the topic | Strong organisation Effective use of paragraphing and topic sentences Logical paragraphs
Effective introduction and conclusion | Excellent organisation Extremely logical paragraphs with highly effective use of topic sentences
Engaging and highly effective introduction and conclusion |
WRITING | Poorly written with many spelling and grammatical errors | Adequately written essay Usually correct grammar and spelling | Well written essay Usually correct grammar and spelling | Fluently written essay Minimal grammatical and spelling errors | Highly articulate and written in an eloquent style
Comprehension enhanced by grammar and spelling |
REFERENCING (when required) | Inadequate referencing Images inadequately labeled | Adequate referencing and image labeling but with some mistakes and inconsistencies Use of the Chicago Style Manual and footnotes | Good referencing and image labeling with few mistakes Use of the Chicago Style Manual and footnotes | Careful referencing and image labeling with almost no mistakes Use of the Chicago Style Manual and footnotes Effective use of quotes | Meticulous referencing and image labeling Use of the Chicago Style Manual and footnotes
Excellent and balanced use of quotes |
Assessment Task 4
Learning Outcomes: 1, 2, 5
Assessment task 4: Class participation
In weekly classes, student discuss issues arising in lectures and readings, put forward their opinions and interpretations of art works, ask questions, and listen and respond to each others’ views. Productive discussions develop your ideas and oral presentation skills, and support the development of a community of practice (‘a group of people who share a common concern, a set of problems, or an interest in a topic and who come together to fulfil both individual and group goals’). A class participation grade is assigned on the basis of a student’s active and positive contribution to class discussion.
Percentage of total assessment for the course: 10%
Rubric
CRITERIA | Fail | Pass | Credit | Distinction | High distinction |
---|---|---|---|---|---|
Attendance | Limited or no attendance | Partial attendance | Attends the majority of tutorial meetings | Attends most or all tutorial meetings | Attends most or all tutorial meetings |
Preparation Preparation for class discussion includes lecture attendance, review of assigned readings, previewing of art works nominated for discussion, engagement with nominated discussion topics | Limited or no reference to readings or preparatory material | Limited reference to readings or preparatory material | Regular reference to readings or preparatory material | Consistent reference to readings or preparatory material | Consistent reference to readings or preparatory material. Engages thoughtfully with discussion topics |
Discussion In all cases, it is assumed that students show courtesy and respect to others in class discussion | Does not contribute to discussion | Contributes occasionally to discussion. | Contributes consistently and purposefully to discussion | Contributes consistently and purposefully to discussion. Initiates conversations and questions | Contributes consistently and purposefully to discussion. Initiates conversations and questions. Engages with colleagues in a courteous and supportive manner |
Academic Integrity
Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.
The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.
The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.
The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.
Online Submission
You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.
Hardcopy Submission
For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.
Late Submission
Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below:
- Late submission not permitted. If submission of assessment tasks without an extension after the due date is not permitted, a mark of 0 will be awarded.
- Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.
Referencing Requirements
The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material.
Returning Assignments
Work submitted electronically will be returned to students with comment and feedback via the Turnitin system on the course Wattle site..
Extensions and Penalties
Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.
Privacy Notice
The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.
Distribution of grades policy
Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.
Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.
Support for students
The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).
- ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
- ANU Access and inclusion for students with a disability or ongoing or chronic illness
- ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
- ANU Academic Skills and Learning Centre supports you make your own decisions about how you learn and manage your workload.
- ANU Counselling Centre promotes, supports and enhances mental health and wellbeing within the University student community.
- ANUSA supports and represents undergraduate and ANU College students
- PARSA supports and represents postgraduate and research students
Convener
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Research InterestsModern and contemporary art, primarily Australia and USA. Research specialisations include: Earthworks, installation, pop and minimalism; Interactions between art and popular culture (sport, popular music); Art and national discourses (monuments, flags, sport). Professional background in museum management, curatorship and cultural policy. Practice-led research and knowledge formation in studio practice. |
Dr Chris McAuliffe
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