• Class Number 3580
  • Term Code 3240
  • Class Info
  • Unit Value 6 units
  • Mode of Delivery In Person
  • COURSE CONVENER
    • Dr Kate Warren
  • LECTURER
    • Dr Kate Warren
  • Class Dates
  • Class Start Date 28/03/2022
  • Class End Date 27/05/2022
  • Census Date 08/04/2022
  • Last Date to Enrol 28/03/2022
SELT Survey Results

The focus of this intensively-delivered course is writing on and about the creative arts and the visual arts in particular. It is aimed at students engaged in either practice-led research or art history and theoretical research in the creative arts. It introduces a variety of strategies and models for experimenting with voice, structure and content and addresses writing for different contexts - academic, art museums and the visual and creative industries more generally. The aim throughout is to develop students' critical awareness of various ways of writing and skills and confidence for writing at an advanced level.


Students will conduct self-directed research in order to create a conceptual framework that incorporates their creative practice, methodologies and outcomes. Employing rigorous research that underpins the broader context of the student’s Higher Degree Research project, they will demonstrate a high level of critical awareness and evaluation of their writing processes.


Students are encouraged to contact the course convenor to discuss their choice of subject.

Learning Outcomes

Upon successful completion, students will have the knowledge and skills to:

  1. critically analyse different modes and voices for writing on the creative arts in relation to practice-led research;
  2. identify appropriate modes of writing to demonstrate the critical frameworks and original content relating to their practice-led research;
  3. employ writing to incorporate creative practices into the research to demonstrate the knowledge, methodologies, methods and research tools that are characteristic of the discipline;
  4. conduct original, self-directed research and present reasoned, referenced, and structured arguments that constitute an original contribution to the field; and
  5. communicate complex ideas in both written and spoken forms.

Field Trips

We will be visiting some on campus galleries and arts spaces as part of our Workshops (such as Drill Hall, School of Art & Design). There may be opportunities to visit some of the National Cultural Institutions during timetabled hours (if access and COVID-19 requirements permit). Details will be communicated to students through Wattle and email well in advance of any Field Trip.

Required Resources

Students will need to bring laptops, tablets, or other writing and note-taking materials to class.

Whether you are on campus or studying remotely, there are a variety of online platforms you will use to participate in your study program. These could include videos for lectures and other instruction, two-way video conferencing for interactive learning, email and other messaging tools for communication, interactive web apps for formative and collaborative activities, print and/or photo/scan for handwritten work and drawings, and home-based assessment.

ANU outlines recommended student system requirements to ensure you are able to participate fully in your learning. Other information is also available about the various Learning Platforms you may use.


All required readings will be made available to students on the Wattle site. Below is a list of additional recommended resources, which should be useful both during

this intensive, and in your ongoing studies. Students are not expected to read all of these for ARTH9021/ARTH8021 (although excerpts from some will be set as key readings). Many of these books are either available online/as ebooks, or will be put on Short Term Loan at the Art & Music Library:

  • Barrett, Estelle and Bolt Barbara. (eds.) Practice as Research: Approaches to Creative Arts Enquiry. London: IB Tauris, 2007.
  • Carter, Paul. Material Thinking: The Theory and Practice of Creative Research. Melbourne: MUP, 2004.
  • Elkins, James. (ed) Artists with PhDs: On the New Doctoral Degree in Studio Art. Washington, DC : New Academia Publishing, 2009.
  • Grant, Catherine and Patricia Rubin (eds). Creative Writing and Art History. Chichester, UK: Wiley-Blackwell, 2012.
  • Kamler, Barbara and Pat Thomson. Helping doctoral students write: Pedagogies for supervision. London; New York: Routledge, 2014.
  • Malcolm, Janet, Forty-one False Starts: Essays on Artists and Writers. Melbourne: The Text Company, 2013.
  • Mewburn, Inger. “The Thesis Whisper”. https://thesiswhisperer.com/  
  • Mewburn, Inger Mewburn, Katherine Firth and Shaun Lehmann. How to fix your academic writing trouble: a practical guide. London: Open University Press, 2019.
  • Norris, Mary. Between You & Me: Confessions of a Comma Queen. Melbourne: Text Publishing, 2015.
  • Sword, Helen. Stylish Academic Writing. Cambridge, Mass.: Harvard University Press, 2012.
  • Sword, Helen. Air & light & time & space: How successful academics write. Cambridge, Mass.: Harvard University Press, 2017.
  • Williams, Gilda. How to Write About Contemporary Art. London: Thames & Hudson, 2014.
  • Writing & Concepts, http://writingandconcepts.com.au/

Staff Feedback

Students will be given feedback in the following forms in this course:

  • written comments
  • verbal comments
  • feedback to whole class, groups, individuals, focus group etc

Student Feedback

ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.

Other Information

Due to the nature of this course, the precise class schedule is subject to change and adjustment. A full and detailed class schedule will be published on Wattle for students to see in advance of the intensive teaching dates.

Class Schedule

Week/Session Summary of Activities Assessment
1 Introduction to the course; Generative writing techniques
2 Keyword Presentations and Exercises Keyword Task Due Tuesday 5 April
3 Experiential Writing
4 Audience: Writing and editing for different readers
5 Self-directed research time and student consultations
6 Applied writing and research tasks
7 Academic Skills: Incorporating other voices
8 Student presentations and final discussions Student Presentations: 13 April
9 Post-teaching weeks (14 April to 27 May) Final Essays due: 27 May

Assessment Summary

Assessment task Value Due Date Return of assessment Learning Outcomes
Participation 10 % * * 1,2,3,4,5
Written keyword assignment (500 words) 10 % 05/04/2022 19/04/2022 1,2,3,5
Presentation (10 minutes) with written paper (1000 words) 20 % 13/04/2022 03/05/2022 1,2,3,4,5
Essay (5000 words) 60 % 27/05/2022 10/06/2022 1,2,3,4,5

* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details

Policies

ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:

Assessment Requirements

The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.

Moderation of Assessment

Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.

Participation

Participation requirements outlined in Assessment Task 1.

Assessment Task 1

Value: 10 %
Learning Outcomes: 1,2,3,4,5

Participation

Participation includes completing the set readings, participation in writing exercises, evaluations of writing on art, and contributions to small and large group discussions.


Participation also includes the following short writing task, due before the intensive classes begins: “Evaluation of a piece of art writing"

Details of task: Select a short piece of writing on art (or an excerpt), one to two pages maximum, which you consider to be successful. The writing can come from a book, an article, a review etc., and can be historical or contemporary. You are encouraged to choose a text that you are already familiar with through your own research and writing (i.e. you should not need to do further research for this task). Make some notes (bullet points are fine) and discuss the reasons for your evaluation (500 words, maximum). Why did you choose this piece? Why do you consider it to be a successful piece of writing about art? What does it do well? What are its strengths and/or weaknesses?


The Wattle site will include a link to a Forum for this Writing Evaluation Task. You should upload a copy of your chosen article AND your evaluative comments by Friday 1 April (i.e. before intensive classes begin). Students’ selections will form an online resource that all students can access and refer to. 

Assessment Task 2

Value: 10 %
Due Date: 05/04/2022
Return of Assessment: 19/04/2022
Learning Outcomes: 1,2,3,5

Written keyword assignment (500 words)

In one page, choose and describe one keyword from your research. The aim of this exercise is to explore all of the potential meanings that might be embedded in this word. In order to make your description as rich as possible, you should consult with as many sources as you can, including full versions of dictionaries such as the Oxford English Dictionary (don’t forget that you can access the OED online through the ANU catalogue). Look back through the history and the etymology of the word: this can sometimes draw out unexpected resonances with your research and your writing. You may even wish to consider the meaning of the word in relation to its opposite or antonyms.


Where appropriate, you could also consult dictionaries of ideas, such as Raymond Williams’ Keywords (a sample of which is provided on Wattle). Once you have researched the word’s history, make sure you relate it to your HDR research and make it clear why you have chosen it.


There is an example of a similar keyword exercise in section 6 of Francesca Rendle- Short’s article “Loose Thinking: Writing an Exegesis”, which has been uploaded on to Wattle. Remember though, this is just an example, not a model for your exercise. The aim of this Assessment Task is for you to explore your keyword with as much freedom as possible, and as much as possible to connect that back to your own HDR research.


Students will read their Keyword Assignments in class on the assignment due date, and this will form part of a group discussion and exercises. Your written document also needs to be submitted on the same day via the Turnitin link on Wattle.


Word limit: 500 words

Value: 10%

Presentation requirements: Submit via upload to Wattle. 12-point font, double spaced text, using Chicago style referencing (footnotes and bibliography)

Due Date: 5 April 2022

Estimated return date: 19 April 2022

Rubric

NPP

Explores the meaning of chosen keyword on a number of relevant levels

LO 1,3

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Makes critical connections to deepen understanding of chosen keyword

LO 1,3

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Relates keyword exploration clearly to HDR research

LO 2

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Communicates clearly and effectively

LO 5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Assessment Task 3

Value: 20 %
Due Date: 13/04/2022
Return of Assessment: 03/05/2022
Learning Outcomes: 1,2,3,4,5

Presentation (10 minutes) with written paper (1000 words)

Choose an object, a process, an event, a place, an idea, a concept or a person that is important to your HDR research. Your presentation should clearly communicate to the audience why your choice is important to your HDR research, and where it might fit within your exegesis/thesis.


The aim of this project is to develop your voice and to consider potential methodologies and frameworks for writing about art and creative practice. In order to communicate the importance of your central topic, you should contextualise it in relation to other key articles, artworks, practices, theories, and/or concepts.


You are encouraged to incorporate images or objects into your audio-visual presentation, which should be 10 minutes long. Presentations will take place on the final day of the intensive teaching period, and you will receive oral feedback on the day. You should use that feedback to refine and edit your presentation for the written submission (1,000 words), however you are not expected to make substantial changes to content.


Word limit: 10-minutes (presentation); 1,000 words (paper)

Value: 20%

Presentation requirements: Students are encouraged to prepare a PowerPoint (or similar) slideshow to accompany their presentation. Final written papers should be submitted via upload to Wattle. 12-point font, double spaced text, using Chicago style referencing (footnotes and bibliography)

Due Date: Presentations are due Wednesday 13 April 2022. Written papers are due Tuesday 19 April 2022.

Estimated return date: 3 May 2022

Rubric

NPP

OVERALL CRITERIA 

Choice of case study, and connections made to HDR research project

LO 1,2,3,4

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Contextualisation of case study in relation to relevant academic and artistic materials 

LO 1,2,3,4

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Visual analysis and presentation

LO 3,4

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

ORAL PRESENTATION 

Structure and duration 

LO 5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Delivery 

LO 5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

WRITTEN PAPER 

Writing

LO 3,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Referencing (written paper only) 

LO 3, 5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Assessment Task 4

Value: 60 %
Due Date: 27/05/2022
Return of Assessment: 10/06/2022
Learning Outcomes: 1,2,3,4,5

Essay (5000 words)

The final, major writing task for this course is to be completed in the weeks following the intensive teaching period. The aim is for you to apply the skills learned, and to produce a significant piece of writing that will contribute to your HDR research and writing program.


You must discuss and identify the topic and focus of your essay in consultation with the Course Convener. Options could be to write an introduction to your research, or to write part of a chapter of your exegesis/thesis.


Your final writing task will be evaluated in terms of how well it demonstrates the following core skills: integration of independent scholarly research; a well-defined argument; visual analysis of key chosen works of art and/or design; strong writing structure and organisation of ideas; thorough use of scholarly referencing and citation conventions (Chicago Notes-Bibliography style).


Word limit: 5,000 words

Value: 60%

Presentation requirements: Submit via upload to Wattle. 12-point font, double spaced text, using Chicago style referencing (footnotes and bibliography)

Due Date: 27 May 2022

Estimated return date: 10 June 2022

Rubric

NPP

RESEARCH AND KNOWLEDGE 

LO 1,2,3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

ARGUMENT

LO 1,3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

VISUAL ANALYSIS

LO 2,3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

ORGANISATION

LO 2,3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

WRITING

LO 2,3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

REFERENCING

LO 3,4,5

Not completed to a standard appropriate to the level of Higher Degree Research.

Completed to a standard appropriate to the level of Higher Degree Research.

Academic Integrity

Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.


The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.


The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.

 

The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.

Online Submission

You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.

Hardcopy Submission

For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.

Late Submission

Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item.

Referencing Requirements

The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material.

Returning Assignments

Assignments and feedback are returned to students via Wattle.

Extensions and Penalties

Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.

Resubmission of Assignments

Students whose assignments are not at the satisfactory level may be permitted to re-submit. This will be at the discretion of the Course Convener, in discussion with other relevant School of Art and Design administration and academic staff members.

Privacy Notice

The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.
In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.

Distribution of grades policy

Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.

Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.

Support for students

The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).

Dr Kate Warren
6125 8960
kate.warren@anu.edu.au

Research Interests


Art Criticism and Writing; Art Historiography; Australian Art History; Lens-based Practices; Contemporary Australian and International Art

Dr Kate Warren

By Appointment
By Appointment
Dr Kate Warren
6125 8960
kate.warren@anu.edu.au

Research Interests


Dr Kate Warren

By Appointment
By Appointment

Responsible Officer: Registrar, Student Administration / Page Contact: Website Administrator / Frequently Asked Questions