- Code MUSI6209
- Unit Value 6 units
- Offered by School of Music
- ANU College ANU College of Arts and Social Sciences
- Course subject Music
- Areas of interest Music, Physics, Creative Arts
Music Recording and Production Techniques introduces students to the theoretical and practical fundamentals of professional-level sound recording. Techniques of music recording and production differ according to musical intention and aesthetic direction and as such, provision is made for students to develop their individual music production skill sets within the course and project parameters.
Course content includes: essential theoretical concepts including the fundamentals of sound and recording; venues, acoustics and the practicalities of recording workplace[s]; recording and production equipment, to include hardware and software; microphone types, polar patterns and placement; mixing consoles; dynamics and time-based effects processing; audio recording, editing and mixing in Pro Tools; and, critical listening seminars. Additionally, students will discuss and debate current issues affecting music and recording, to include: listening levels, hearing and health; 'loudness' and dynamic range; and technology and use value.
Upon successful completion, students will have the knowledge and skills to:
- communicate key theoretical concepts and principles pertaining to audio and music recording and production;
- explicate the sonic characteristics of music using correct technical terminologies;
- co-ordinate musicians, equipment and venue(s) and structure a music recording and production project to correct procedures;
- lead a group recording project applying a broad theoretical concepts and principles; and
- plan, document and critically evaluate a group recording project in a detailed log book.
- 1. Group Recording Project (25 minutes) (50) [LO 3,4,5]
- 2. Recording Project Log Book (1500 words) (20) [LO 1,2,5]
- 3. Multiple Choice/ Short Answer Exam Paper (1 hour) (30) [LO 1,2]
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Workload130 hours of total student learning time made up from:
a) 36 hours of contact over 12 weeks: 24 hours of lectures or studio/laboratory workshops and 12 hours of seminars; and
b) 94 hours of independent student research, reading, writing and recording.
Requisite and Incompatibility
Prescribed Texts- Bartlett, B. and Bartlett, J. (2016) Practical Recording Techniques - The Step by Step Approach to Professional Audio Recording. 7th Edition. Waltham, MA: Focal Press.
- Corey, J. (2016) Audio Production and Critical Listening. 2nd Edition. Burlington, MA: Focal Press.
- Huber, D. and Runstein, R. (2013) Modern Recording Techniques. 8th edn. Burlington, MA: Focal Press.
Tuition fees are for the academic year indicated at the top of the page.
Commonwealth Support (CSP) Students
If you have been offered a Commonwealth supported place, your fees are set by the Australian Government for each course. At ANU 1 EFTSL is 48 units (normally 8 x 6-unit courses). More information about your student contribution amount for each course at Fees.
- Student Contribution Band:
- Unit value:
- 6 units
If you are a domestic graduate coursework student with a Domestic Tuition Fee (DTF) place or international student you will be required to pay course tuition fees (see below). Course tuition fees are indexed annually. Further information for domestic and international students about tuition and other fees can be found at Fees.
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Offerings, Dates and Class Summary Links
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Class summaries, if available, can be accessed by clicking on the View link for the relevant class number.
|Class number||Class start date||Last day to enrol||Census date||Class end date||Mode Of Delivery||Class Summary|
|5799||24 Jul 2023||31 Jul 2023||31 Aug 2023||27 Oct 2023||In Person||N/A|