This course uses strategies of design thinking and studio-based making practices to investigate the support of the human body in the near environment. The course will use furniture seating as a case study for conceptualising how we define and mediate the space between the architectural envelope and the human subject. The course will apply methodologies from iterative design, ergonomics, anthropometrics, human factors, and modelling and prototyping with conventional and digital tools in order to investigate and disrupt archetypes of domestic objects. Critical theory including Affordance Theory will be explored to determine ways in which objects provide an intermediary zone between human bodies and the architectural envelope, and how objects can shape social behaviour.
Students will work individually and collaboratively on speculative models and prototypes. The course is taught by a combination of readings, lectures, discussions, demonstrations, and supervised practice that exposes students to a combination of technology, theory, history, and design and making processes. Workplace health and safety instruction is an integral part of this course.
Learning Outcomes
Upon successful completion, students will have the knowledge and skills to:
- identify, observe, measure, analyse and critique existing and archetypal forms;
- conceptualise and implement design propositions that challenge archetypal forms and consider a plurality of functions (ergonomic, social, narrative, etc);
- experiment with a range of techniques and materials during iterative model-making and prototyping;
- work both independently and collaboratively to plan, develop and complete projects;
- identify, describe and relate relevant critical theories and contextual examples of design/art/architecture to course projects; and
- demonstrate critical thinking and reflection in the evaluation of their own work and that of other artists/designers.
Research-Led Teaching
The distinctive research-led features of this course are the integrations of Critical Design theory into Studio Furniture practices, understanding the media beyond structural, technical and functional considerations and extending into the capacities for the media to engage with the delivery of narrative, critique and discursive responses. Within this, students are required to evaluate and determine their own aesthetic and functional solutions appropriate to the problem of creating designs for seating, taking into account but not constrained by traditional examples and techniques.
Additional Course Costs
Student contribution amounts under the Higher Education Support Act 2003 (HESA) and tuition fees support the course described in the Class Summary and include tuition, teaching materials, and student access to the workshops for the stated course hours.
The Material Fee is payable to the School of Art & Design to supply consumables and materials that become your physical property.
The Additional Materials Fee is payable for Materials you use in addition to those supplied as part of the course. You can purchase additional material from the Workshop and take advantage of the GST-free status. These materials are also WHS and workshop process compliant.
Students have the option to obtain After hours Access to workshop and studio spaces outside of class delivery. After hours Access is defined as access to workshop and studio spaces outside of business hours between 6.00pm and 10:00pm Monday to Friday and 9am – 4pm Saturday - Sunday. It is afforded to students by paying an After hours Access Fee each semester.
For further information and to Pay Materials and Access Fees go to: https://soad.cass.anu.edu.au/required-resources-and-incidental-fees
Examination Material or equipment
For scheduled assessments, reviews and critiques, students will present their work to date, completed works, support material and tests, folios, relevant contextual research. All materials will be set up ahead of assessment sessions, and presented to staff over the course of scheduled assessment. All assessments requirements will be presented in class and via Wattle.
Required Resources
Sketchbook (grid-lined may be preferable) and pencil; steel tape measure (2m/6ft minimum); protractor; small ruler (15cm min-30cm max); digital camera or camera phone.
Students will be provided Personal Protective Equipment (PPE), but have the option of supplying their own personal ear and eye protection.
Recommended Resources
Reading lists and additional resources will be added to the Wattle page for this class.
Staff Feedback
Students will be given feedback in the following forms in this course: in the form of verbal comments during tutorials and verbal feedback to the whole class during group critiques. Written comments will be given on written research assignments. Students are expected to take notes and/or to arrange for a classmate to take notes during presentations.
Student Feedback
ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.
Class Schedule
Week/Session | Summary of Activities | Assessment |
---|---|---|
1 | No Class Meeting; | Homework: Review Wattle Site; Obtain required resources; Commence Task 1-A: Design Investigations/Inventory; Pay Materials Fee & Upload Receipt To Wattle; Read And Sign SOAD All User WHS Forms; Complete online form for ANU MakerSpace New Member Induction; |
2 | Course intro; Progress Review Task 1-A: Design Investigations/Inventory; General WHS and orientation; Modelmaking WHS and demonstrations; Contextual slides (design thinking; empathy; clients; introduction to ergonomics); Modelmaking activity for Task 1; Clean-up. | Due: Task 1-A: Design Investigations/Inventory (50%); Homework: Complete Task 1-A: Design Investigations/Inventory; Progress Task 1-B: Design Investigations/Modelmaking; |
3 | Task 1 Progress Review; Introduction to Task 2; Contextual Slides (Italian anti-design, Adhocism, bricolage, making-do and hacker culture); WHS & SOPs on woodworking handheld tools; Woodworking activity: Unbuilding Chairs for Task 2; Clean-up. | Due: Task 1-A (100%); Task 1-B (50%);Homework: Complete Task 1: Design Investigations A & B; Commence Task 2: Deconstruction/Reconstruction; Book in ANU MakerSpace for Space@Bld 38 Induction (30 minutes in-person); |
4 | Contextual Slides (ergonomics, anthropometrics, and human factors; specificity/customisation; structure); WHS & SOPs on woodworking machines; Woodworking activity: Reconfigurations for Task 2; Clean-up. | Due: Task 1, A & B (100%)Homework: Progress Task 2: Deconstruction/Reconstruction; |
5 | Supervised work with woodworking hand-tools and machines; Woodworking activity: Reconfigurations for Task 2; Troubleshooting; Progress review; Clean-up. | Due: Task 2 (35%);Homework: Progress Task 2: Deconstruction/Reconstruction; Read assigned text for Task 3; Complete ANU MakerSpace New Member Induction and Space@Bld 38 Induction; |
6 | No Class Meeting | Due: Task 2 (70%); Evidence of completion of ANU MakerSpace New Member Induction and Space@Bld 38 Induction (100%); Homework: Complete Task 2: Deconstruction/Reconstruction; |
7 | Task 2 Critique; Introduction to Task 3; Contextual Lecture (comfort, hierarchy, spaces, seating and social expectations); Generative Design Activity: Twister: Investigate spaces, walls, floors, corners; WHS & SOPs for sewing machines; Sewing and pattern making demos; Activity: Modelmaking for Task 3 (time-permitting); Clean-up. | Due: Task 2 (100%); Reading Reflections for Task 3;Homework: Progress Task 3: Architectural Interventions; Book in ANU MakerSpace Trotec Speedy 360 Induction @Bld 38; |
8 | Woodworking machine WHS & SOP orientations for bandsaw and sander; Demonstrations and WHS/SOPs for hand tacking with hammer and pneumatic staple guns; Demonstration on installing foam/fillers; Supervised work on Task 3; Clean-up. | Due: Task 3 (35%);Homework: Progress Task 3: Architectural Interventions; |
9 | Supervised work on Task 3; Test installations; Troubleshooting; Clean-up. | Due: Task 3 (70%); Evidence of completion of ANU MakerSpace Trotec Speedy 360 Induction @Bld 38 (100%);Homework: Complete Task 3: Architectural Interventions; |
10 | Task 3 Critique; Task 4 Introduction; Contextual Lecture (Nomadism; portability; durability; availability; low-impact/waste/recycle; structures); Clean-up. | Due: Task 3 (100%)Homework: Progress Task 4: Les Cartonnistes; |
11 | Contextual Slides (Cardboard materiality and properties); Group work: design/fabrication; WHS/SOPs and practice on laser cutter including file prep; Clean-up. | Due: Task 4 (35%)Homework: Progress Task 4: Les Cartonnistes; |
12 | Supervised laser cutting, fabrication and assembly; Troubleshooting; Clean-up. | Due: Task 4 (70%)Homework: Complete Task 4: Les Cartonnistes; |
13 | Final Assessment: Task 4 Presentations and Participation (In-Person); Photograph Completed Works; Clean-up. | Due: Task 4 (100%) |
Tutorial Registration
ANU utilises MyTimetable to enable students to view the timetable for their enrolled courses, browse, then self-allocate to small teaching activities / tutorials so they can better plan their time. Find out more on the Timetable webpage.Assessment Summary
Assessment task | Value | Due Date | Learning Outcomes |
---|---|---|---|
Design Investigations | 25 % | 16/08/2024 | 1, 2, 3, 6 |
Deconstruction/Reconstruction | 25 % | 20/09/2024 | 1,2,3,4,5,6 |
Architectural Interventions | 25 % | 11/10/2024 | 1,2,3,4,5,6 |
Les Cartonnistes | 25 % | 01/11/2024 | 1,2,3,4,5,6 |
* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details
Policies
ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:
- Academic Integrity Policy and Procedure
- Student Assessment (Coursework) Policy and Procedure
- Extenuating Circumstances Application
- Student Surveys and Evaluations
- Deferred Examinations
- Student Complaint Resolution Policy and Procedure
- Code of practice for teaching and learning
Assessment Requirements
The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.
Moderation of Assessment
Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.
Participation
Consistent and active participation is expected in this course, and is required to engage in and complete the WHS and hands-on activities that are central to this course. If a student is not in attendance, inattentive or disengaged, they will be at risk for being able to fully participate or to adequately complete the required assessment tasks.
Examination(s)
Final assessments will occur in the Assessment Period according to guidelines presented in class and on the course Wattle site.
Assessment Task 1
Learning Outcomes: 1, 2, 3, 6
Design Investigations
Working individually, students will respond to the provided prompts to investigate, explore and analyse support, comfort and ergonomics in seating in two stages:
Task 1-A: Seating inventory (Due: 9am Friday 9 August)
Identify, observe, test, measure, analyse and critique existing and archetypal forms by taking specific measurements from a broad range of intentionally designed seating items as well as informal and impromptu seating incidents. Collect the data and reflections, following the detailed guidelines provided on the course Wattle site to complete and submit this project. (LOs 1, 6)
Task 1-B: Model making (Due: 9am Friday 16 August)
Engage with the five 'modes' of design thinking as identified by Stanford's d.school—empathise; define; ideate; prototype; define—to develop a scale model for the 'client'. Follow detailed guidelines provided on the course Wattle site to complete and submit this project. (LOs 2, 3, 6)
Rubric
Criteria | Exceeds Expectations (100-70) | Meets Expectations (69-50) | Fails to Meet Expectations (49-0) | ||
---|---|---|---|---|---|
Task 1-A: Observation and Analysis of Seating Forms (LOs 1, 6) | Always records complete, precise measurements of seat depth, height, and angles for a wide range of 6 or more seating items; provides thorough and insightful analysis of comfort and ergonomics; consistently includes detailed and clear visual documentation (annotated photos and carefully detailed sketches front and side views) for each item; reflections demonstrate deep understanding and critical thinking including comparisons. All data and evaluations are uploaded correctly and on time. | Generally records accurate measurements for at least 6 seating items; provides adequate analysis of comfort and ergonomics; includes clear visual documentation for each item (photos/sketches front and side views) ; reflections demonstrate understanding and some critical thinking. All data and evaluations are uploaded correctly and on time. | Records incomplete or inaccurate measurements; provides limited and/or variable analysis of comfort and ergonomics; includes unclear or incomplete visual documentation; reflections demonstrate minimal and/or inconsistent understanding and critical thinking. Data and evaluations are not uploaded in full, correctly and/or on time. | ||
Task 1-B: Conceptualisation and Innovation in Design Propositions (LOs 2, 6) | Consistently proposes original and innovative design solutions for the banana chair; thoroughly challenges conventional forms; comprehensively considers ergonomic, social, and narrative functions; clearly documents the design process with detailed steps and rationale, including annotated sketches and material choices. All documentation is submitted correctly and on time. | Usually proposes creative design solutions for the banana chair; generally challenges conventional forms; considers ergonomic, social, and narrative functions; adequately documents the design process with clear steps and rationale, including sketches and material choices. All documentation is submitted correctly and on time. | Proposes unoriginal design solutions; inconsistently challenges conventional forms; lacks consideration of ergonomic, social, and narrative functions; poorly documents the design process with unclear steps and rationale, including sketches and material choices. Documentation is not submitted in full, correctly, and/or on time. | ||
Task 1-B: Experimentation and Speculative Model-Making (LOs 3, 6) | Extensively experiments with a wide range of materials and techniques; makes highly informed and speculative design choices; comprehensively documents materials and techniques used, including detailed descriptions of challenges and solutions encountered. All documentation is submitted correctly and on time. | Adequately experiments with various materials and techniques; makes generally informed and speculative design choices; sufficiently documents materials and techniques used, including challenges and solutions encountered. All documentation is submitted correctly and on time. | Limited experimentation with materials and techniques; makes poorly informed or inappropriate design choices; poorly documents materials and techniques used, including challenges and solutions encountered. Documentation is not submitted in full, correctly, and/or on time. | ||
Task 1-B: Critical Thinking and Reflection (LO 6) | Demonstrates deep critical thinking and reflection on the design process; provides insightful and constructive evaluation of own and peers' work; clearly articulates insights and learnings in reflections and presentations; consistently submits documentation on time and in proper format, with thorough and reflective content, including comparisons and detailed analysis. | Demonstrates adequate critical thinking and reflection on the design process; provides reasonable evaluation of own and peers' work; articulates insights and learnings in reflections and presentations; usually submits documentation on time and in proper format, with reflective content. | Demonstrates minimal critical thinking and reflection on the design process; provides limited evaluation of own and peers' work; unclearly articulates insights and learnings in reflections and presentations; inconsistently submits documentation on time and in proper format, with minimal reflective content. Documentation is not submitted in full, correctly, and/or on time. |
Assessment Task 2
Learning Outcomes: 1,2,3,4,5,6
Deconstruction/Reconstruction
Working in pairs, students will apply woodworking techniques in deconstructing found solid wood chairs and reconstructing components into new configurations for supporting bodies. Students are expected to work dynamically and responsively against a limited material palette resulting in emergent forms. Detailed guidelines are provided on the course Wattle site for completing and submitting this project. (LOs 1-6)
Rubric
Criteria | Exceeds Expectations (100-70) | Meets Expectations (69-50) | Fails to Meet Expectations (49-0) | ||
---|---|---|---|---|---|
Application of Woodworking Skills (LOs 1, 3) | Consistently demonstrates thorough understanding and correct use of all woodworking tools. Safely and precisely deconstructs and reconstructs chairs with exceptional care and skill. All tasks are performed with attention to safety and craftership, resulting in high-quality construction. | Generally demonstrates understanding and correct use of woodworking tools. Safely deconstructs and reconstructs chairs with adequate care and skill. Tasks are performed with attention to safety and craftership, resulting in satisfactory construction. | Demonstrates limited understanding and use of woodworking tools. Inconsistently or inaccurately deconstructs and reconstructs chairs. Tasks are performed with minimal attention to safety and craftership, resulting in poor construction. | ||
Design Innovation, Approach and Structural Integrity (LOs 2, 5, 6) | Consistently makes intentional and well-considered design choices. Proposes original and innovative seating solutions. Considers customisation, ergonomics, social, and narrative implications thoroughly. Design challenges assumptions and brings fresh, open-minded thinking. Driven by analysis of considerations, not constrained by conventional forms. Nimble and flexible in approach, effectively composing emergent forms with a limited material inventory. Ensures structural soundness and effectively supports bodies. Makes intentional and thoughtful aesthetic and compositional choices. Clearly and thoroughly articulates design choices. | Generally makes intentional and well-considered design choices. Proposes creative seating solutions. Considers customisation, ergonomics, social, and narrative implications adequately. Design challenges some assumptions. Shows some influence of analysis of considerations over conventional forms. Adequately nimble and flexible in approach. Ensures structural soundness and adequately supports bodies. Makes intentional aesthetic and compositional choices. Adequately articulates design choices. | Makes arbitrary and poorly considered design choices. Proposes unoriginal seating solutions. Inadequately considers customisation, ergonomics, social, and narrative implications. Design is driven more by conventional forms than by analysis of considerations. Lacks flexibility and gets fixated on ideas. Fails to ensure structural soundness and does not adequately support bodies. Lacks intentional aesthetic and compositional choices. Fails to clearly articulate design choices. | ||
Effective Participation (LOs 4, 6) | Consistently identifies project requirements and roles with clarity. Effectively plans and manages project tasks. Works harmoniously and dynamically, facilitating creative compromise. Is present and actively participating (on time, prepared, contributing, accountable to group). Actively participates in critique sessions with insightful and constructive evaluation. Clearly articulates insights and learnings in reflections and presentations. All tasks and reflections are delivered correctly and on time. | Generally identifies project requirements and roles. Adequately plans and manages project tasks. Works collaboratively and independently to achieve project goals. Participates in critique sessions with reasonable evaluation. Articulates insights and learnings in reflections and presentations. All tasks and reflections are delivered correctly and on time. | Incompletely or inaccurately identifies project requirements and roles. Inconsistently plans and manages project tasks. Shows limited ability to work harmoniously and dynamically, tends to control rather than compromise. Is often absent or unprepared, minimally contributing, and not accountable to group. Limited participation in critique sessions with minimal evaluation. Unclearly articulates insights and learnings in reflections and presentations. Tasks and reflections are not delivered in full, correctly, and/or on time. |
Assessment Task 3
Learning Outcomes: 1,2,3,4,5,6
Architectural Interventions
In this project, students will explore the space between the human body and the interior architectural envelope. The objective is to innovate and develop non-archetypal "body props" using sewing and upholstery techniques to support bodies in novel ways. These interventions will challenge conventional social and physical expectations about how bodies interact with built spaces. Students will consider themes of comfort, hierarchy, and the subversive potential of design, reflecting on contextual readings. Detailed guidelines for the project and further resources are provided on the course Wattle site. (LOs 1-6)
Rubric
Criteria | Exceeds Expectations (100-70) | Meets Expectations (69-50) | Fails to Meet Expectations (49-0) | ||
---|---|---|---|---|---|
Application of Sewing and Upholstery Skills (LOs 1, 3) | Consistently demonstrates thorough understanding and correct use of all sewing and upholstery tools and techniques. Safely and precisely creates body props with exceptional care and skill. All tasks are performed with attention to safety and craftsmanship, resulting in high-quality construction. | Generally demonstrates understanding and correct use of sewing and upholstery tools and techniques. Safely creates body props with adequate care and skill. Tasks are performed with attention to safety and craftsmanship, resulting in satisfactory construction. | Demonstrates limited understanding and use of sewing and upholstery tools and techniques. Inconsistently or inaccurately creates body props. Tasks are performed with minimal attention to safety and craftsmanship, resulting in poor construction. | ||
Design Disruption and Social Innovation (LOs 2, 5, 6) | Consistently makes intentional and subversive design choices. Proposes original and disruptive solutions that challenge conventional expectations about where and how bodies can be accommodated in space. Thoroughly engages with themes of comfort, hierarchy, and the subversion of traditional architectural norms. Reflects deeply on the social implications of their designs and articulates these clearly and thoughtfully. | Generally makes intentional design choices. Proposes creative solutions that challenge some conventional expectations about body-space relationships. Adequately engages with themes of comfort, hierarchy, and architectural subversion. Reflects on the social implications of their designs and articulates these adequately. | Makes arbitrary and poorly considered design choices. Proposes unoriginal solutions that do not effectively challenge conventional expectations about body-space relationships. Inadequately engages with themes of comfort, hierarchy, and architectural subversion. Fails to reflect on the social implications of their designs and does not articulate these clearly. | ||
Understanding and Integration of Readings (LOs 2, 5, 6) | Consistently demonstrates a deep understanding of the key concepts from both readings. Skillfully integrates insights from the readings into the design process, applying theoretical perspectives effectively. Reflects thoughtfully on how the readings inform and enhance their design choices, providing clear and detailed explanations. | Generally demonstrates an understanding of the key concepts from both readings. Adequately integrates insights from the readings into the design process, applying some theoretical perspectives. Reflects on how the readings inform and enhance their design choices, providing adequate explanations. | Demonstrates limited understanding of the key concepts from both readings. Inconsistently or poorly integrates insights from the readings into the design process. Provides minimal reflection on how the readings inform and enhance their design choices, with unclear or insufficient explanations. | ||
Effective Participation (LOs 4, 6) | Consistently identifies project requirements and roles with clarity. Effectively plans and manages project tasks. Works harmoniously and dynamically, facilitating creative compromise. Is present and actively participating (on time, prepared, contributing, accountable to group). Actively participates in critique sessions with insightful and constructive evaluation. Clearly articulates insights and learnings in reflections and presentations. All tasks and reflections are submitted correctly and on time. | Generally identifies project requirements and roles. Adequately plans and manages project tasks. Works collaboratively and independently to achieve project goals. Participates in critique sessions with reasonable evaluation. Articulates insights and learnings in reflections and presentations. All tasks and reflections are submitted correctly and on time. | Incompletely or inaccurately identifies project requirements and roles. Inconsistently plans and manages project tasks. Shows limited ability to work harmoniously and dynamically, tends to control rather than compromise. Is often absent or unprepared, minimally contributing, and not accountable to group. Limited participation in critique sessions with minimal evaluation. Unclearly articulates insights and learnings in reflections and presentations. Tasks and reflections are not submitted in full, correctly, and/or on time. |
Assessment Task 4
Learning Outcomes: 1,2,3,4,5,6
Les Cartonnistes
In this project, students will work in small groups to design "pop-up" cardboard body supports that optimises the inherent structural characteristics of cardboard and utilises cardboard dry/friction joinery techniques. The objective is to create sturdy, functional, affordable, portable, lightweight, and recyclable/compostable full-scale prototypes for supporting bodies in outdoor and public spaces. Students will plan, make scale models, complete MakerSpace and Laser Cutter inductions, prepare digital cutting files, and produce full-scale prototypes. In the final critique, groups will articulate their contextual influences and design decisions. (LOs 1-6)
Rubric
Criteria | Exceeds Expectations (100-70) | Meets Expectations (69-50) | Fails to Meet Expectations (49-0) | ||
---|---|---|---|---|---|
Application of Design and Fabrication Skills (LOs 1, 3) | Consistently demonstrates a thorough understanding and application of design and fabrication skills. Scale models are exceptionally tidy and accurate. Successfully obtains all required inductions, including independent inductions at MakerSpace. Uses all tools and machines properly and safely. Preps digital files and crafts/fabricates cardboard with exceptional care, accuracy, and precision. | Generally demonstrates an understanding and application of design and fabrication skills. Scale models are adequately tidy and accurate. Successfully obtains required inductions, including independent inductions at MakerSpace. Uses tools and machines properly and safely. Preps digital files and crafts/fabricates cardboard with adequate care, accuracy, and precision. | Demonstrates limited understanding and application of design and fabrication skills. Scale models are untidy or inaccurate. Fails to obtain required inductions, including independent inductions at MakerSpace. Uses tools and machines improperly or unsafely. Preps digital files and crafts/fabricates cardboard with minimal care, accuracy, and precision. | ||
Optimisation of Cardboard Structural Characteristics (LOs 2, 4, 5, 6) | Makes highly effective design choices leveraging cardboard's properties. Discovers and tests a wide range of cardboard joinery techniques. Uses dry/friction joinery techniques innovatively and effectively. Makes logical and innovative choices in joinery and structure that strongly support the design concept. Demonstrates exceptional critical evaluation and articulation of design decisions in relation to contextual influences. | Makes effective design choices leveraging cardboard's properties. Discovers and tests a range of cardboard joinery techniques. Uses dry/friction joinery techniques effectively. Makes appropriate choices in joinery and structure that support the design concept. Adequately evaluates and articulates design decisions in relation to contextual influences. | Makes ineffective or poorly considered design choices. Discovers and tests few cardboard joinery techniques. Uses dry/friction joinery techniques ineffectively. Makes inappropriate choices in joinery and structure that do not support the design concept. Fails to adequately evaluate or articulate design decisions in relation to contextual influences. | ||
Contextual Understanding and Application (LOs 2, 5, 6) | Thoroughly informs and contextualises the project with a wide range of concepts presented in class and additional independent sources. Integrates these concepts seamlessly into the design and articulates them clearly in critiques and documentation. Demonstrates exceptional synthesis and integration of ideas into the design and interpretation. | Adequately informs and contextualises the project with concepts presented in class. Integrates these concepts into the design and articulates them adequately in critiques and documentation. Synthesises and integrates ideas into the design and interpretation satisfactorily. | Fails to adequately inform or contextualise the project with concepts presented in class. Poorly integrates these concepts into the design and does not articulate them clearly in critiques and documentation. Demonstrates limited synthesis and integration of ideas into the design and interpretation. | ||
Effective Participation (LOs 4, 6) | Consistently plans and manages group tasks effectively. Works harmoniously and dynamically within the group, facilitating creative compromise. Uses class and independent time wisely. Is consistently accountable and contributes to discussions and critiques constructively. Presents the final prototype and design process with exceptional clarity. Reflects deeply on team dynamics and personal contributions, providing insightful and constructive feedback. | Generally plans and manages group tasks effectively. Works collaboratively within the group. Uses class and independent time adequately. Is accountable and contributes to discussions and critiques constructively. Presents the final prototype and design process clearly. Reflects on team dynamics and personal contributions, providing adequate feedback. | Fails to plan or manage group tasks effectively. Shows limited ability to work harmoniously within the group. Uses class and independent time ineffectively. Is not consistently accountable and minimally contributes to discussions and critiques. Presents the final prototype and design process unclearly. Provides limited reflection on team dynamics and personal contributions, offering minimal feedback. |
Academic Integrity
Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.
The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.
The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.
The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.
Online Submission
In cases where assessment material is digitally produced, the default form of submission should be online, using Wattle. You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.
Hardcopy Submission
All physical evidence of your work including journals, sketches, samples, tests, models, experiments, jigs, mock-ups, and final outcomes should be physically brought to class and assessments for evaluation. Be prepared to leave all outcomes through the assessment period.
Late Submission
Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below:
- Late submission not permitted. If submission of assessment tasks without an extension after the due date is not permitted, a mark of 0 will be awarded.
- Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.
Referencing Requirements
The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material. Any use of artificial intelligence must be properly referenced. Failure to properly cite use of Generative AI will be considered a breach of academic integrity.
Returning Assignments
Your outcomes will be left on your workbenches or in the Furniture Workshop Gallery space to be collected at the end of the assessment period.
Extensions and Penalties
Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.
Resubmission of Assignments
Where students work is considered to be of an unsatisfactory standard, lecturers may request resubmission of all or part of the portfolio or journals/notebooks
Privacy Notice
The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.
Distribution of grades policy
Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.
Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.
Support for students
The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).
- ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
- ANU Accessibility for students with a disability or ongoing or chronic illness
- ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
- ANU Academic Skills supports you make your own decisions about how you learn and manage your workload.
- ANU Counselling promotes, supports and enhances mental health and wellbeing within the University student community.
- ANUSA supports and represents all ANU students
Convener
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Research InterestsCritical Design; Sustainability; Woodworking; Furniture; Craft and Design Theory |
Ashley Eriksmoen
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Instructor
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Research Interests |
Ashley Eriksmoen
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