• Class Number 7259
  • Term Code 3560
  • Class Info
  • Unit Value 6 units
  • Mode of Delivery In Person
  • COURSE CONVENER
    • Dr Rachael Thoms
  • LECTURER
    • Dr Gregory Stott
  • Class Dates
  • Class Start Date 21/07/2025
  • Class End Date 24/10/2025
  • Census Date 31/08/2025
  • Last Date to Enrol 28/07/2025
SELT Survey Results

The fourth of the sequential music performance courses supports students in deepening their knowledge and skills in both solo and ensemble settings while also building practical experience in live performance. This course focuses on musical performance in a live concert context, providing students with opportunities to plan and perform as a soloist and ensemble leader. Students will participate in one-to-one sessions with vocal/instrumental teachers, ensemble rehearsals, seminars, live performance, and other practical and academic contexts.

Learning Outcomes

Upon successful completion, students will have the knowledge and skills to:

  1. demonstrate an informed and progressively developing understanding of terminology, characteristics of style, and historical concepts as they relate to musical works;
  2. demonstrate an informed and progressively developing level of technical proficiency, and an evidential understanding of the emotional content in musical works;
  3. work independently and collaboratively to develop confidence in understanding the craft of musical performance and its presentation to an audience; and
  4. critically analyse material and aesthetical elements of music, demonstrating an ability to provide feedback and pose research questions in both written and verbal formats.

Research-Led Teaching

Lecturers and instructors in this course are committed to research-led, evidence-based instruction. A culture of enquiry, collaboration, critical thinking, creativity, performance excellence, and academic rigour is fostered by linking scholarly research in music pedagogy with professional expertise as creative practitioners. Students in this course are encouraged and supported to develop an autoethnographic research-led praxis.


Field Trips

Students are encouraged to attend live and online concerts, as well as other artistic and performative events, workshops, masterclasses, and festivals throughout the semester. Additionally, they are advised to visit the library for research materials and participate in training sessions.

Examination Material or equipment

Students may be required to provide copies of scores, repertoire lists, and personal devices for playback of backing tracks/transcriptions. Full details will be provided on Canvas, in seminars/tutorials, and directly from one-to-one tutors.

Required Resources

Details will be provided on Canvas, in seminars/tutorials, and directly from one-to-one tutors.

Whether you are on campus or studying online, there are a variety of online platforms you will use to participate in your study program. These could include videos for lectures and other instruction, two-way video conferencing for interactive learning, email and other messaging tools for communication, interactive web apps for formative and collaborative activities, print and/or photo/scan for handwritten work and drawings, and home-based assessment.

ANU outlines recommended student system requirements to ensure you are able to participate fully in your learning. Other information is also available about the various Learning Platforms you may use.

Staff Feedback

Students will be given feedback in the following forms in this course:

  • written comments
  • verbal comments
  • feedback to whole class, groups, individuals, focus group etc

Student Feedback

ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.

Class Schedule

Week/Session Summary of Activities Assessment
1 One-to-one lessons, meet your ensemble, instrumental/vocal seminar, intro to the course/assessment overview (tutorial)
2 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, tutorial
3 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, tutorial
4 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, tutorial
5 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
6 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice Assessment 1: Repertoire Research Overview
7 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
8 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
9 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
10 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
11 1-to-1 lessons, ensemble rehearsal, instrumental/vocal seminar, Concert Practice
12 1-to-1 lessons, ensemble performance, instrumental/vocal seminar, Concert Practice Assessment 2: Ensemble performance
13 Exam period Assessment 3: Recital

Tutorial Registration

ANU utilises MyTimetable to enable students to view the timetable for their enrolled courses, browse, then self-allocate to small teaching activities/tutorials so they can better plan their time. Find out more on the Timetable webpage.

Assessment Summary

Assessment task Value Due Date Learning Outcomes
Repertoire Research Overview - 20% 20 % 25/08/2025 1,2
Ensemble Performance and Participation Assessment - 20% 20 % * 1,2,3,4
Performance Folio (Concert Practice & Recital) - 60% 60 % * 1,2,3,4

* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details

Policies

ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:

Assessment Requirements

The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.

Moderation of Assessment

Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.

Participation

Participation in weekly rehearsals, seminars, and one-to-one lessons is necessary for the successful fulfilment of learning outcomes and completion of this course.

Assessment Task 1

Value: 20 %
Due Date: 25/08/2025
Learning Outcomes: 1,2

Repertoire Research Overview - 20%

This assessment task supports your developing ability to understand stylistic, structural, and contextual aspects of your performance repertoire. You will submit a short, focused research snapshot on two of the works you are preparing for performance this semester.

The aim is to demonstrate informed engagement with the historical, stylistic, and expressive dimensions of your chosen piece. This research will inform your interpretive decisions and guide your preparation for performance.


What to Include:

  • Composer name, dates, and a brief background (2–3 sentences)
  • Title and year of composition
  • Historical/stylistic period and defining characteristics
  • Summary of key structural and/or harmonic features
  • Description of expressive or emotional qualities
  • A minimum of four references used (e.g., scholarly source, program note, artist commentary)


Submission: written submission via Canvas (1200 - 1500 words), 12-point font, 1.5 spacing, as well as a list of sources.

Due: 25/68/2025 Week 6

Weighting: 20%

Rubric

CriteriaHDDCPN

Stylistic and Historical Understanding

Sophisticated understanding with accurate and contextually appropriate terminology

Clear and sound understanding with relevant stylistic and historical detail

Adequate awareness with some stylistic insight; minor inaccuracies

Basic awareness with limited stylistic relevance

Minimal or incorrect understanding

Structural and Expressive Insight

Insightful description of form, structure, and emotional content with interpretive nuance

Clear technical and expressive commentary with thoughtful reflection

General identification of structure and expression

Limited description of structure or expression

Lacks clarity or relevance

Research and Sources

Consistent and effective use of high-quality, relevant sources to support insight

Relevant sources used with some interpretation and integration

Minimal or surface-level use of sources

One source used with little analytical integration

No sources used or unclear/unattributed references

Assessment Task 2

Value: 20 %
Learning Outcomes: 1,2,3,4

Ensemble Performance and Participation Assessment - 20%

This assessment recognises the essential role of active participation in the development of ensemble musicianship. Students will participate in weekly rehearsals with an assigned ensemble and tutor to build advanced ensemble techniques, develop individual and collective rehearsal habits, and explore a variety of musical, stylistic, and culturally informed performance practices.

Students will be guided in developing both verbal and non-verbal communication strategies, the ability to give and receive constructive feedback, and ensemble-specific technical and musical skills. Emphasis is placed on historically and stylistically appropriate performance practices, teamwork, and professional rehearsal conduct.


Assessment is based on two key components:


Ensemble Rehearsal Participation

Students will be assessed by their ensemble director on the following criteria:

  • Musical Development: Evidence of ongoing technical improvement, ensemble listening skills, and appropriate stylistic expression (e.g. dynamics, articulation, intonation, or improvisation depending on the ensemble).
  • Responsiveness and Collaboration: Ability to respond constructively to direction from the ensemble director and peers, and to contribute meaningfully to rehearsal goals.
  • Professionalism: Preparation of parts, punctuality, and commitment to the shared musical outcome.


Final Concert Participation - Pass/Fail

Students must participate in the final public performance of their ensemble.

  • Failure to attend the final performance without approved exceptional circumstances will result in a fail for this portion of the assessment and may compromise progression in the course.
  • Participation in the concert demonstrates the culmination of rehearsal learning and contributes to the overall ensemble experience for all members.


Submission: Participation records, ensemble director evaluation, and participation in the final concert

Due Date: Ongoing across the semester; final concert (Week 12) participation is expected

Rubric

CriteriaHDDCPN

Technical Proficiency and Rehearsal Habits

Demonstrates consistent advanced technical control and professional rehearsal discipline

Demonstrates strong technique and reliable rehearsal engagement

Demonstrates developing technical control and rehearsal focus

Basic technical competence with variable rehearsal habits

Limited technical development and inconsistent rehearsal participation

Stylistically/Culturally Appropriate Performance Practice

Performs with deep stylistic awareness and strong cultural understanding

Performs with clear stylistic accuracy and relevant cultural awareness

Performs with general stylistic understanding and intent

Basic stylistic application; cultural elements underdeveloped

Performance lacks stylistic or cultural appropriateness

Communication and Ensemble Skills

Consistently demonstrates advanced communication, responsiveness, and leadership in ensemble contexts

Communicates effectively and contributes to ensemble cohesion

Demonstrates basic ensemble awareness and interaction

Participation evident but communication is inconsistent

Poor ensemble awareness or minimal contribution

Criterion

Pass

Fail

Participation in Final Performance

Student actively participated in the final ensemble performance

Student did not participate in the final performance without approved exemption

Assessment Task 3

Value: 60 %
Learning Outcomes: 1,2,3,4

Performance Folio (Concert Practice & Recital) - 60%

This folio comprises two key performance assessments designed to track and showcase your developing and culminating performance capabilities.

  1. Concert Practice Performance (Weeks 5 - 12): A 10-minute, work-in-progress performance that presents either selected repertoire from your planned final recital or repertoire that reflects your current musical and technical development. This is a formative opportunity to receive feedback on performance readiness and to demonstrate emerging interpretive and stylistic insight.
  2. Recital (End of Semester): A formal 30 - 35 minute performance that reflects intermediate level technical command, expressive maturity development, stylistic awareness, and performance professionalism. The recital should demonstrate your capacity to curate and deliver a compelling musical experience. Program notes of approximately 600 words must accompany the performance, offering stylistic, historical, and interpretive context for your audience.


Weighting:

  • Concert Practice Performance: 20%
  • Final Recital Performance: 40%


Submission: In-person performances during scheduled times.

Recital Program Notes: Program notes (~600 words) submitted to Canvas by 30th October 2025

Rubric

Concert Practice CriteriaHDDCPN

Technical Development

Secure technique and expressive development appropriate to level

Generally consistent technique

Some technical inconsistencies

Basic proficiency with limitations

Underprepared or insufficient technique

Stylistic, Interpretive, and Improvisational Awareness

Clear stylistic direction and interpretive/improvisation development (as appropriate)

Good stylistic consistency

Some stylistic accuracy and interpretation

Limited style or interpretation

No clear stylistic or expressive focus

Repertoire Appropriateness and Progress

Well-chosen repertoire with strong progress

Good progress toward recital aims

Developing repertoire with progress

Basic repertoire with minimal development

Poor progress or unsuitable repertoire

Performance Communication

Confident, communicative, and stylistically aware

Generally confident and appropriate

Some audience connection

Tentative or limited engagement

Disconnected or unprofessional delivery

Recital Criteria

HD

D

C

P

N

Technical Mastery

Consistently strong technique and control

Good technique with occasional issues

Generally secure with some gaps

Functional technique with some limitations

Serious technical limitations

Interpretive, Expressive, and Improvisational Insight (as appropriate)

Developed interpretive depth and stylistic clarity

Expressive and stylistically informed

Some expressiveness and understanding

Basic interpretation and limited risk

Lacks expressive or stylistic intent

Stylistic and Repertoire Cohesion

Cohesive and stylistically aligned program

Mostly suitable and consistent

Generally appropriate

Inconsistent or underdeveloped cohesion

Inappropriate or incoherent repertoire

Stage Presence and Professionalism

Confident, polished, and professional

Mostly confident and appropriate

Developing professionalism

Inconsistent or underprepared

Poor stage presence

Program Notes (~600 words)

Thoughtful, clearly written and well-contextualised

Clear with good contextual detail

Adequate content with minor lapses

Basic or underdeveloped content

Incomplete or unclear notes

Academic Integrity

Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.


The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.


The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.

 

The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.

Online Submission

You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.

Hardcopy Submission

For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.

Late Submission

Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below (see individual assessment descriptions for details):

  • Late submission of live performance assessments are not permitted. If submission of assessment tasks without an extension after the due date is not permitted, a mark of 0 will be awarded.
  • Late submission of written and presentation assessments are permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.

Referencing Requirements

The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material. Any use of artificial intelligence must be properly referenced. Failure to properly cite use of Generative AI will be considered a breach of academic integrity.

Extensions and Penalties

Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.

Privacy Notice

The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.
In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.

Distribution of grades policy

Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.

Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.

Support for students

The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).

  • ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
  • ANU Accessibility for students with a disability or ongoing or chronic illness
  • ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
  • ANU Academic Skills supports you make your own decisions about how you learn and manage your workload.
  • ANU Counselling promotes, supports and enhances mental health and wellbeing within the University student community.
  • ANUSA supports and represents all ANU students
Dr Rachael Thoms
U4418188@anu.edu.au

Research Interests


Vocal pedagogy, voice science, biopsychosocial theory, gender and jazz, improvisation, self-efficacy, motor learning theory, music and psychology

Dr Rachael Thoms

By Appointment
Dr Gregory Stott
Gregory.Stott@anu.edu.au

Research Interests


Dr Gregory Stott

By Appointment

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