• Class Number 3944
  • Term Code 3630
  • Class Info
  • Unit Value 6 units
  • Topic Supporting Bodies: Now that we’re here, where do w
  • Mode of Delivery In Person
  • COURSE CONVENER
    • Dr Naomi Hay
  • LECTURER
    • Ashley Eriksmoen
  • Class Dates
  • Class Start Date 23/02/2026
  • Class End Date 29/05/2026
  • Census Date 31/03/2026
  • Last Date to Enrol 02/03/2026
SELT Survey Results

This course examines how the design of objects mediates the relationship between our bodies and architectural spaces, influencing human activities and behaviours. Through hands-on studio practice, students will engage with a range of design skills and fabrication processes, including generative and iterative design methods, material experimentation, and project management. Projects are contextualised through relevant theory and concepts, such as materiality, structures, affordances, and critical design. By interrogating archetypal furniture forms, the course challenges students to design and fabricate objects that support human activities while questioning and shaping social behaviour and cultural norms. Participants will develop innovative solutions that extend beyond utility, exploring how design can convey personal narratives, disrupt expectations, and offer cultural critiques within the built environment.


Topics offered in this course currently occur in alternating years and include the following:

  • The Elevated Surface: Design for wood table structures
  • Supporting Bodies: Now that we’re here, where do we sit?

The course is taught by a combination of readings, lectures, discussions, demonstrations, and supervised practice that exposes students to a combination of technology, theory, history, and design and making processes. Workplace health and safety instruction is an integral part of this course.

Learning Outcomes

Upon successful completion, students will have the knowledge and skills to:

  1. develop and refine project concepts using generative and iterative design processes to create innovative design propositions that challenge archetypal forms and consider a plurality of functions (utilitarian, social, narrative, aesthetic, etc);
  2. practice and experiment with relevant materials and techniques to develop and execute design ideas, resulting in samples, models, prototypes, and finished works;
  3. effectively plan, manage, and complete design projects in response to the project briefs, demonstrating competency in project organisation and execution;
  4. investigate and integrate relevant theories and contextual examples from design, architecture, art and other disciplines to inform and substantiate creative projects; and
  5. demonstrate criticality by articulating rationale for intentional compositional choices in design projects and through reflective evaluation of their own work and that of other creative practitioners.

Research-Led Teaching

The topic of this course is Supporting Bodies: Now that we’re here, where do we sit?

The distinctive research-led features of this course are the integrations of Critical Design theory into Studio Furniture practices, understanding the media beyond structural, technical and functional considerations and extending into the capacities for the media to engage with the delivery of narrative, critique and discursive responses. Within this, students are required to evaluate and determine their own aesthetic and functional solutions appropriate to the problem of creating designs for seating, taking into account but not constrained by traditional examples and techniques.

Additional Course Costs

Student contribution amounts under the Higher Education Support Act 2003 (HESA) and tuition fees support the course described in the Class Summary and include tuition, teaching materials, and student access to the workshops and university equipment for the stated course hours.

The Course Material Fee is payable to the School of Art & Design to supply consumables and materials that become your physical property.

The Additional Materials Fee is payable for Materials you use in addition to those supplied as part of the course. You can purchase additional material from the Workshop and take advantage of the GST-free status. These materials are also WHS and workshop process compliant.

For further information and to Pay Materials and Access Fees go to: https://soad.cass.anu.edu.au/required-resources-and-incidental-fees  

Examination Material or equipment

For scheduled assessments, reviews and critiques, students will present their work to date, completed works, support material and tests, folios, relevant contextual research. All materials will be set up ahead of assessment sessions, and presented to staff over the course of scheduled assessment. All assessments requirements will be presented in class and via Canvas.

Required Resources

Sketchbook (grid-lined may be preferable) and pencil; steel tape measure (2m/6ft minimum); protractor; small ruler (15cm min-30cm max); digital camera or camera phone.

Students will be provided Personal Protective Equipment (PPE), but have the option of supplying their own personal ear and eye protection.

Reading lists and additional resources will be added to the Canvas page for this class.

Staff Feedback

Students will be given feedback in the following forms in this course: in the form of verbal comments during tutorials and verbal feedback to the whole class during group critiques. Written comments will be given on written research assignments. Students are expected to take notes and/or to arrange for a classmate to take notes during presentations.

Student Feedback

ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.

Class Schedule

Week/Session Summary of Activities Assessment
1 3 hrs, 9-12Class Introduction: Brief welcome and overviewActivity: 'Stick Together' joinery gameContent Delivery: Brief contextual slides: 'Ergonomics, Anthropometrics and Human Factors'; Intro to Task 1-A: 'Seating Inventory' and Intro to Task 2Orientation: Workshop and SOAD WHSClass policies: Access and Materials FeesWHS SOPs: PPE including gloves, bench vices, clamps, sawhorses, mallots, and cordless drill gunsActivity: Task 2 teams DeconstructionActivity: Clean-up! Due in preparation for first class meeting:Complete Pre-Class Skills SurveyANDReview Class CANVAS site
2 3 hrs, 9-12Lesson Introduction: Brief welcome and check-in on homeworkContent Delivery: Contextual slides: 'Design Thinking'; Intro to Task 1-B: 'Bananarama'WHS SOPs: Hot glue guns, safety knives; wire snips; Activity: Model Making 'Bananarama'Activity: Clean-up! Due: Task 1-A (35% progress); Ergonomics Readings (35% progress)ANDPay Materials Fee;Read And Sign SOAD All User WHS Forms
3 No Class. Canberra Day.The school is closed on the Public Holiday, but during the rest of the week, students will be able to access the workshop for low risk activities to work on their Task 1-B (Bananarama) and Task 2 (Deconstruction) projects. Due: Task 1-A (70% progress); Task 1-B (50% progress); Ergonomics Readings (70% progress)
4 3 hrs, 9-12Lesson Introduction: Brief welcome and check-in on howmeworkContent Delivery: Contextual slides: 'Italian Anti-design, Adhocism, Hacker Culture and the Emergent Form'WHS SOPs for new tools and machinesActivity: Task 2 teams ReconfigurationActivity: Clean-up! Due: Task 1-A & 1-B (100% complete); Ergonomics Readings (100% complete)Task 2: (Deconstruction phase complete; Readings
5 3 hrs, 9-12Lesson Introduction: Brief welcome and check-in on howmeworkContent Delivery: Contextual slides: 'Nomadic, Ephemeral and Sustainable Approaches' and Intro to Task 3Activity: Task 2 teams Reconfiguration continuedActivity: Clean-up! Due: Task 2 (70% progress); Task 3 (Speculative experiments with Cardboard Manipulation 100% complete)
6 3 hrs, 9-12Crit: Task 2 Deconstruction/Reconfiguration project in Foyer Galley or in SSP large crit space (TBD)Activity: Cardboard Manipulation Bingo!Activity: Task 3 teams rapid prototyping with cardstockActivity: Clean-up! Due: Task 2 (100% progress)
7 3 hrs, 9-12Lesson Introduction: Brief welcome and check-in on howmeworkContent Delivery: How to scale 1:5 using graph paper and scanning/scaling background images in Adobe IllustratorActivity: Task 3 teams hand-making scale models with boxboardDemo-Induction: SOAD Laser CutterActivity: Clean-up! Due: Task 2 (Self and peer evaluations); Task 3 (Evidence of completion of ANU MakerSpace New Member Induction, Space@Bld 38 Induction, and ANU MakerSpace Trotec Speedy 360 Induction @Bld 38)
8 3 hrs, 9-12Lesson Intro: Welcome and check-inActivity: Task 3 teams working on resolving files and laser cuttingActivity: Clean-up! Due: Task 3 (40% progress)
9 3 hrs, 9-12Reading DiscussionActivity: Task 4 teams soft interventions '3-D Twister' in the Foyer GalleryContent Delivery: Contextual Slide Lecture: 'Body X Architecture' and Intro to Task 4Activity: Task 4 teams model-makingActivity: Clean-up! Due: Task 3 (70% progress) AND Task 4 Reading Reflections for in-class discussion!
10 4 hrs, 9-1Crit: Task 3 teams presenting in Foyer Galley or in SSP large crit space (TBD)Demo: Foam shapingWHS/SOPs: electric carving knives; compressed air; staple guns; spray adhesive; Activity: Clean-up! Due: Task 3 (100% completed and ready for in-person presentation; Task 4: (10% progress)
11 4 hrs, 9-1Demo: Patternmaking & SewingWHS/SOPs: Sewing Machines (plus bandsaw, drill press, jigsaw, disc and bobbin sanders as needed)Activity: Task 4 teams working on substrates and foam basesActivity: Clean-up! Due: Task 3 (Self and peer evaluations); Task 4 (40% progress)
12 4 hrs, 9-1Activity: Groups continue foam shaping, patternmaking & sewingWHS/SOPs: Sewing Machines (plus bandsaw, drill press, jigsaw, disc and bobbin sanders as needed)Activity: Clean-up! Due:Task 4 (70% progress);ANDYour Pizza Order ;)ANDSELT Evaluations!Exam Period: Final Assessment: Task 4 Presentations and Participation (In-Person); Photograph Completed Works; BIG WORKSHOP CLEAN-UP WITH PIZZA!Task 4 (100% completed) present projects in-person + Task 4 self and peer evaluations

Tutorial Registration

ANU utilises MyTimetable to enable students to view the timetable for their enrolled courses, browse, then self-allocate to small teaching activities / tutorials so they can better plan their time. Find out more on the Timetable webpage.

Assessment Summary

Assessment task Value Due Date Learning Outcomes
Design Investigations 25 % 16/03/2026 1,2,3,6
Deconstruction/Reconstruction 25 % 30/03/2026 1,2,3,4,5,6
Les Cartonnistes 25 % 11/05/2026 1,2,3,4,5,6
Architectural Interventions 25 % 04/06/2026 1,2,3,4,5,6

* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details

Policies

ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:

Assessment Requirements

The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Canvas’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.

Moderation of Assessment

Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.

Participation

Consistent and active participation is expected in this course, and is required to engage in and complete the WHS and hands-on activities that are central to this course. If a student is not in attendance, inattentive or disengaged, they will be at risk for being able to fully participate or to adequately complete the required assessment tasks.

Examination(s)

Final assessments will occur in the Assessment Period according to guidelines presented in class and on the course Wattle site.

Assessment Task 1

Value: 25 %
Due Date: 16/03/2026
Learning Outcomes: 1,2,3,6

Design Investigations

Working individually, students will respond to the provided prompts to investigate, explore and analyse support, comfort and ergonomics in seating in two phases:

Task 1-A: Seating inventory

Identify, observe, test, measure, analyse and critique existing and archetypal forms by taking specific measurements from a broad range of intentionally designed seating items as well as informal and impromptu seating incidents. Collect the data and reflections, following the detailed guidelines provided on the course Wattle site to complete and submit this project. (LOs 1, 6)


Task 1-B: Model making

Engage with the five 'modes' of design thinking as identified by Stanford's d.school—empathise; define; ideate; prototype; define—to develop a scale model for the 'client'. Follow detailed guidelines provided on the course Wattle site to complete and submit this project. (LOs 2, 3, 6)

Rubric

CriteriaExceeds Expectations (100-70)Meets Expectations (69-50)Fails to Meet Expectations (49-0)

Task 1-A: Observation and Analysis of Seating Forms

(LOs 1, 6)


Always records complete, precise measurements of seat depth, height, and angles for a wide range of 6 or more seating items; provides thorough and insightful analysis of comfort and ergonomics; consistently includes detailed and clear visual documentation (annotated photos and carefully detailed sketches front and side views) for each item; reflections demonstrate deep understanding and critical thinking including comparisons.

All data and evaluations are uploaded correctly and on time.

Generally records accurate measurements for at least 6 seating items; provides adequate analysis of comfort and ergonomics; includes clear visual documentation for each item (photos/sketches front and side views) ; reflections demonstrate understanding and some critical thinking.

All data and evaluations are uploaded correctly and on time.

Records incomplete or inaccurate measurements; provides limited and/or variable analysis of comfort and ergonomics; includes unclear or incomplete visual documentation; reflections demonstrate minimal and/or inconsistent understanding and critical thinking.

Data and evaluations are not uploaded in full, correctly and/or on time.

Task 1-B: Conceptualisation and Innovation in Design Propositions

(LOs 2, 6)


Consistently proposes original and innovative design solutions for the banana chair; thoroughly challenges conventional forms; comprehensively considers ergonomic, social, and narrative functions; clearly documents the design process with detailed steps and rationale, including annotated sketches and material choices. All documentation is submitted correctly and on time.

Usually proposes creative design solutions for the banana chair; generally challenges conventional forms; considers ergonomic, social, and narrative functions; adequately documents the design process with clear steps and rationale, including sketches and material choices. All documentation is submitted correctly and on time.

Proposes unoriginal design solutions; inconsistently challenges conventional forms; lacks consideration of ergonomic, social, and narrative functions; poorly documents the design process with unclear steps and rationale, including sketches and material choices. Documentation is not submitted in full, correctly, and/or on time.

Task 1-B: Experimentation and Speculative Model-Making

(LOs 3, 6)

Extensively experiments with a wide range of materials and techniques; makes highly informed and speculative design choices; comprehensively documents materials and techniques used, including detailed descriptions of challenges and solutions encountered. All documentation is submitted correctly and on time.

Adequately experiments with various materials and techniques; makes generally informed and speculative design choices; sufficiently documents materials and techniques used, including challenges and solutions encountered. All documentation is submitted correctly and on time.

Limited experimentation with materials and techniques; makes poorly informed or inappropriate design choices; poorly documents materials and techniques used, including challenges and solutions encountered. Documentation is not submitted in full, correctly, and/or on time.

Task 1-B: Critical Thinking and Reflection

(LO 6)


Demonstrates deep critical thinking and reflection on the design process; provides insightful and constructive evaluation of own and peers' work; clearly articulates insights and learnings in reflections and presentations; consistently submits documentation on time and in proper format, with thorough and reflective content, including comparisons and detailed analysis.

Demonstrates adequate critical thinking and reflection on the design process; provides reasonable evaluation of own and peers' work; articulates insights and learnings in reflections and presentations; usually submits documentation on time and in proper format, with reflective content.

Demonstrates minimal critical thinking and reflection on the design process; provides limited evaluation of own and peers' work; unclearly articulates insights and learnings in reflections and presentations; inconsistently submits documentation on time and in proper format, with minimal reflective content. Documentation is not submitted in full, correctly, and/or on time.

Assessment Task 2

Value: 25 %
Due Date: 30/03/2026
Learning Outcomes: 1,2,3,4,5,6

Deconstruction/Reconstruction

Working in pairs, students will apply woodworking techniques in deconstructing found solid wood chairs and reconstructing components into new configurations for supporting bodies. Students are expected to work dynamically and responsively against a limited material palette resulting in emergent forms. Detailed guidelines are provided on the course Wattle site for completing and submitting this project. (LOs 1-6)

Rubric

CriteriaHD (80-100)D (70-79)CR (60-69)P (50-59)F (0-49)

Application of Woodworking Skills

(LOs 1, 3) 

Consistently demonstrates thorough understanding and correct use of all woodworking tools. Safely and precisely deconstructs and reconstructs chairs with exceptional care and skill. All tasks are performed with attention to safety and craftsmanship, resulting in high-quality construction.

Generally demonstrates understanding and correct use of woodworking tools. Safely deconstructs and reconstructs chairs with adequate care and skill. Tasks are performed with attention to safety and craftsmanship, resulting in satisfactory construction.

Adequately demonstrates understanding and use of woodworking tools. Deconstructs and reconstructs chairs with variable but acceptable care and skill. Tasks are performed with attention to safety and craftsmanship, resulting in solid construction.

Demonstrates basic understanding and use of woodworking tools. Deconstructs and reconstructs chairs with inconsistent care and skill. Tasks are performed with basic attention to safety and craftsmanship, resulting in inconsistent construction.

Fails to demonstrate understanding of woodworking tools and safety. Incomplete or inaccurate tasks, performed with poor craftsmanship.

Design Innovation, Approach and Structural Integrity

(LOs 2, 5, 6) 

Consistently makes intentional and well-considered design choices. Proposes original and innovative seating solutions. Considers customization, ergonomics, social, and narrative implications thoroughly. Design challenges assumptions and brings fresh, open-minded thinking. Nimble and flexible in approach, effectively composing emergent forms with a limited material inventory. Ensures structural soundness and effectively supports bodies. Makes intentional and thoughtful aesthetic and compositional choices. Clearly and thoroughly articulates design choices.

Generally makes intentional and well-considered design choices. Proposes creative seating solutions. Considers customization, ergonomics, social, and narrative implications adequately. Design challenges some assumptions. Ensures structural soundness and adequately supports bodies. Makes intentional aesthetic and compositional choices. Adequately articulates design choices.

Makes intentional design choices. Proposes solid seating solutions. Considers customization, ergonomics, social, and narrative implications with some variability. Design shows evidence of challenging conventional forms. Ensures structural soundness and supports bodies adequately. Articulates design choices reasonably well.

Makes basic design choices. Proposes acceptable seating solutions. Considers customization, ergonomics, social, and narrative implications minimally. Design adheres more closely to conventional forms. Ensures basic structural soundness and supports bodies sufficiently. Articulates design choices with some clarity.

Makes arbitrary and poorly considered design choices. Proposes unoriginal seating solutions. Inadequately considers customization, ergonomics, social, and narrative implications. Design is driven more by conventional forms than by analysis of considerations. Fails to ensure structural soundness and does not adequately support bodies. Fails to clearly articulate design choices.

Effective Participation (LOs 4, 6)

Consistently identifies project requirements and roles with clarity. Effectively plans and manages project tasks. Works harmoniously and dynamically, facilitating creative compromise. Is present and actively participating (on time, prepared, contributing, accountable to group). Actively participates in critique sessions with insightful and constructive evaluation. Clearly articulates insights and learnings in reflections and presentations. All tasks and reflections are delivered correctly and on time.

Generally identifies project requirements and roles. Adequately plans and manages project tasks. Works collaboratively and independently to achieve project goals. Participates in critique sessions with reasonable evaluation. Articulates insights and learnings in reflections and presentations. All tasks and reflections are delivered correctly and on time.

Identifies project requirements and roles. Plans and manages project tasks with some variability. Works collaboratively to achieve project goals. Participates in critique sessions with some evaluation. Articulates insights and learnings in reflections and presentations. All tasks and reflections are delivered correctly and on time.

Identifies basic project requirements and roles. Plans and manages project tasks with basic effectiveness. Participates in critique sessions with minimal evaluation. Articulates insights and learnings in reflections and presentations. Tasks and reflections are delivered on time.

Fails to identify project requirements and roles. Poor planning and management of project tasks. Minimal or no participation and contribution.

Assessment Task 3

Value: 25 %
Due Date: 11/05/2026
Learning Outcomes: 1,2,3,4,5,6

Les Cartonnistes

In this project, students will work in small groups to design "pop-up" cardboard body supports that optimises the inherent structural characteristics of cardboard and utilises cardboard dry/friction joinery techniques. The objective is to create sturdy, functional, affordable, portable, lightweight, and recyclable/compostable full-scale prototypes for supporting bodies in outdoor and public spaces. Students will plan, make scale models, complete MakerSpace and Laser Cutter inductions, prepare digital cutting files, and produce full-scale prototypes. In the final critique, groups will articulate their contextual influences and design decisions. (LOs 1-6)

Rubric

CriteriaHD (80-100)D (70-79)CR (60-69)P (50-59)F (0-49)

Application of Design and Fabrication Skills (LOs 1, 3)

Demonstrates exceptional understanding and application of design and fabrication skills.

Scale models exhibit high precision, accuracy, and exceptional craftsmanship.

Obtains all required inductions promptly and independently at MakerSpace, with clear evidence of safe and proper tool usage.

Digital files are meticulously prepped, and cardboard is crafted with outstanding accuracy and precision.

Shows a strong understanding of design and fabrication skills.

Scale models are precise and show good craftsmanship.

Obtains all required inductions, including independent inductions at MakerSpace, with safe and proper use of tools.

Digital files are adequately prepped, and cardboard is crafted with a high level of accuracy and precision.

Demonstrates a basic understanding of design and fabrication skills.

Scale models are tidy, but there may be minor inaccuracies.

Completes required inductions, including independent inductions at MakerSpace, using tools safely.

Digital files are prepped adequately, and cardboard is crafted with reasonable care and precision.

Shows a limited understanding of design and fabrication skills.

Scale models lack accuracy, with noticeable flaws.

Completes inductions, but with some guidance needed for safe tool use.

Digital files and cardboard crafting exhibit minimal precision.

Demonstrates a poor understanding of design and fabrication skills.

Scale models are untidy and lack accuracy.

Fails to complete required inductions or demonstrates improper tool use.

Digital files and cardboard crafting are inaccurate and careless.

Optimisation of Cardboard Structural Characteristics (LOs 2, 4, 5, 6)

Leverages cardboard properties in highly innovative ways.

Extensively explores a wide range of joinery techniques, with a focus on dry/friction joinery.

Makes sophisticated and innovative choices in joinery and structural design that significantly enhance the project.

Demonstrates deep critical evaluation and clear articulation of design choices relative to contextual influences.

Effectively uses cardboard properties with thoughtful design choices.

Explores multiple joinery techniques and applies dry/friction joinery effectively.

Makes logical joinery and structural choices that support the project.

Provides clear evaluation and articulation of design decisions relative to contextual influences.

Uses cardboard properties effectively in most instances.

Tests some joinery techniques with reasonable application of dry/friction joinery.

Makes adequate structural and joinery choices that support the design.

Provides a basic evaluation of design decisions, with some reference to contextual influences.

Uses cardboard properties in a limited way.

Tests few joinery techniques, with inconsistent application of dry/friction joinery.

Makes structural and joinery choices that are occasionally illogical or ineffective.

Provides minimal evaluation of design decisions in relation to contextual influences.

Does not effectively utilise cardboard properties.

Explores very few or no joinery techniques.

Makes structural choices that do not support the project.

Fails to evaluate design decisions or relate them to contextual influences.

Contextual Understanding and Application (LOs 2, 5, 6)

Integrates a wide range of concepts and theories from class and independent research.

Seamlessly incorporates these concepts into the design, with clear articulation in critiques and documentation.

Demonstrates exceptional synthesis and integration of ideas, showing deep understanding of context.

Utilises concepts from class discussions and independent research effectively.

Integrates these concepts clearly into the design and articulates them adequately in critiques and documentation.

Demonstrates strong synthesis of ideas with a clear understanding of context.

Applies some concepts from class with basic integration into the design.

Articulates these concepts in critiques and documentation satisfactorily.

Demonstrates adequate synthesis and understanding of context.

Shows limited application of concepts from class.

Struggles to articulate ideas in critiques and documentation clearly.

Demonstrates minimal synthesis and understanding of context.

Fails to integrate or apply concepts from class.

Does not clearly articulate ideas in critiques or documentation.

Shows little to no synthesis or understanding of context.

Effective Participation (LOs 4, 6)

Demonstrates exceptional planning, task management, and use of time.

Works harmoniously within the group, consistently facilitating creative compromise.

Actively participates in discussions, providing insightful feedback and constructive critique.

Reflects deeply on team dynamics and personal contributions.

Plans and manages tasks well, making good use of time.

Works effectively within the group, with occasional facilitation of creative compromise.

Participates actively in discussions, providing relevant feedback and critique.

Reflects adequately on team dynamics and contributions.

Demonstrates basic planning and task management, with adequate use of time.

Works cooperatively within the group, contributing to tasks as required.

Participates in discussions, offering some constructive feedback.

Provides a basic reflection on team dynamics and contributions.

Shows minimal planning and task management, with poor use of time.

Struggles to work effectively within the group or contribute meaningfully.

Provides limited participation in discussions and minimal feedback.

Reflection on team dynamics and contributions lacks depth.

Fails to plan or manage tasks effectively.

Shows little to no ability to work within the group.

Does not participate meaningfully in discussions or provide constructive feedback.

Provides little or no reflection on team dynamics or contributions.

Assessment Task 4

Value: 25 %
Due Date: 04/06/2026
Learning Outcomes: 1,2,3,4,5,6

Architectural Interventions

In this project, students will explore the space between the human body and the interior architectural envelope. The objective is to innovate and develop non-archetypal "body props" using sewing and upholstery techniques to support bodies in novel ways. These interventions will challenge conventional social and physical expectations about how bodies interact with built spaces. Students will consider themes of comfort, hierarchy, and the subversive potential of design, reflecting on contextual readings. Detailed guidelines for the project and further resources are provided on the course Wattle site. (LOs 1-6)

Rubric

CriteriaExceeds Expectations HD-D (70-100) Meets Expectations CR-P (50-69)Does Not Meet Expectations F (0-49)

Application of Sewing and Upholstery Skills (LOs 1, 3) 

Knowledge: Understands and uses sewing and upholstery tools and techniques correctly and safely. 

Application: Carefully executes the creation of body props. 

Evaluation: Ensures safe and proper tool use and high-quality construction.

Consistently demonstrates thorough understanding and correct use of all sewing and upholstery tools and techniques. Safely and precisely creates body props with exceptional care and skill. All tasks are performed with attention to safety and craftsmanship, resulting in high-quality construction.

Generally demonstrates understanding and correct use of sewing and upholstery tools and techniques. Safely creates body props with adequate care and skill. Tasks are performed with attention to safety and craftsmanship, resulting in satisfactory construction.

Demonstrates limited understanding and use of sewing and upholstery tools and techniques. Inconsistently or inaccurately creates body props. Tasks are performed with minimal attention to safety and craftsmanship, resulting in poor construction.

Design Disruption and Social Innovation (LOs 2, 5, 6)

Knowledge: Makes intentional and subversive design choices. 

Application: Proposes disruptive solutions that challenge social and physical expectations about body-space relationships. 

Synthesis: Engages with themes of comfort, hierarchy, and the subversion of traditional architectural norms. 

Evaluation: Reflects on the social implications of their designs and articulates these clearly.

Consistently makes intentional and subversive design choices. Proposes original and disruptive solutions that challenge conventional expectations about where and how bodies can be accommodated in space. Thoroughly engages with themes of comfort, hierarchy, and the subversion of traditional architectural norms. Reflects deeply on the social implications of their designs and articulates these clearly and thoughtfully.

Generally makes intentional design choices. Proposes creative solutions that challenge some conventional expectations about body-space relationships. Adequately engages with themes of comfort, hierarchy, and architectural subversion. Reflects on the social implications of their designs and articulates these adequately.

Makes arbitrary and poorly considered design choices. Proposes unoriginal solutions that do not effectively challenge conventional expectations about body-space relationships. Inadequately engages with themes of comfort, hierarchy, and architectural subversion. Fails to reflect on the social implications of their designs and does not articulate these clearly.

Understanding and Integration of Readings (LOs 2, 5, 6)

Knowledge: Demonstrates comprehension of the key concepts from "Why are most buildings rectangular?" and "The Eyes of the Skin". 

Application: Integrates insights from the readings into the design process. 

Synthesis: Applies theoretical perspectives to the practical creation of body props. 

Evaluation: Reflects on how the readings inform and enhance their design choices.

Consistently demonstrates a deep understanding of the key concepts from both readings. Skillfully integrates insights from the readings into the design process, applying theoretical perspectives effectively. Reflects thoughtfully on how the readings inform and enhance their design choices, providing clear and detailed explanations.

Generally demonstrates an understanding of the key concepts from both readings. Adequately integrates insights from the readings into the design process, applying some theoretical perspectives. Reflects on how the readings inform and enhance their design choices, providing adequate explanations.

Demonstrates limited understanding of the key concepts from both readings. Inconsistently or poorly integrates insights from the readings into the design process. Provides minimal reflection on how the readings inform and enhance their design choices, with unclear or insufficient explanations.

Effective Participation (LOs 4, 6)

Knowledge: Identifies project requirements and roles; Articulates insights and learnings. 

Application: Plans and manages project tasks effectively; Submits documentation properly. 

Synthesis: Works harmoniously and dynamically, facilitating creative compromise rather than creative control; is present and actively participating (on time, prepared, contributing, accountable to group); Demonstrates deep reflection. 

Evaluation: Provides constructive evaluation; Reflects on team dynamics and personal contributions.

Consistently identifies project requirements and roles with clarity. Effectively plans and manages project tasks. Works harmoniously and dynamically, facilitating creative compromise. Is present and actively participating (on time, prepared, contributing, accountable to group). Actively participates in critique sessions with insightful and constructive evaluation. Clearly articulates insights and learnings in reflections and presentations. All tasks and reflections are submitted correctly and on time.

Generally identifies project requirements and roles. Adequately plans and manages project tasks. Works collaboratively and independently to achieve project goals. Participates in critique sessions with reasonable evaluation. Articulates insights and learnings in reflections and presentations. All tasks and reflections are submitted correctly and on time.

Incompletely or inaccurately identifies project requirements and roles. Inconsistently plans and manages project tasks. Shows limited ability to work harmoniously and dynamically, tends to control rather than compromise. Is often absent or unprepared, minimally contributing, and not accountable to group. Limited participation in critique sessions with minimal evaluation. Unclearly articulates insights and learnings in reflections and presentations. Tasks and reflections are not submitted in full, correctly, and/or on time.

Academic Integrity

Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.


The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.


The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.

 

The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.

Online Submission

In cases where assessment material is digitally produced, the default form of submission should be online, using Wattle. You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.

Hardcopy Submission

All physical evidence of your work including journals, sketches, samples, tests, models, experiments, jigs, mock-ups, and final outcomes should be physically brought to class and assessments for evaluation. Be prepared to leave all outcomes through the assessment period. All hardcopies/ physical design projects must be collected and removed from the studio by the end of the examination period each semester or they will be disposed of.

Late Submission

Individual assessment tasks may or may not allow for late submission. Policy regarding late submission is detailed below:

  • Late submission not permitted. If submission of assessment tasks without an extension after the due date is not permitted, a mark of 0 will be awarded.
  • Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.

Referencing Requirements

The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material. Any use of artificial intelligence must be properly referenced. Failure to properly cite use of Generative AI will be considered a breach of academic integrity.

Returning Assignments

Your outcomes will be left on your workbenches or in the Furniture Workshop Gallery space to be collected at the end of the assessment period.

Extensions and Penalties

Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.

Resubmission of Assignments

Where students work is considered to be of an unsatisfactory standard, lecturers may request resubmission of all or part of the portfolio or journals/notebooks

Privacy Notice

The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.
In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.

Distribution of grades policy

Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.

Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.

Support for students

The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).

  • ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
  • ANU Accessibility for students with a disability or ongoing or chronic illness
  • ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
  • ANU Academic Skills supports you make your own decisions about how you learn and manage your workload.
  • ANU Counselling promotes, supports and enhances mental health and wellbeing within the University student community.
  • ANUSA supports and represents all ANU students
Dr Naomi Hay
Naomi.Hay@anu.edu.au

Research Interests


Design Futures, Sustainable Design, Socially and Environmentally Responsible Design, Spatial Design, Socio-Spatial Inclusion.

Dr Naomi Hay

By Appointment
Ashley Eriksmoen
ashley.eriksmoen@anu.edu.au

Research Interests


Ashley Eriksmoen

Monday 13:00 14:00

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